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Zinn’s ‘People’s History’ Masterwork Hits the History Channel December 11, 2009

Posted by rogerhollander in Democracy, History, Media.
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By Dave Zirin, AlterNet
December 11, 2009

On December 13th, a date I’ve basically had tattooed on my arm like the guy from Memento, The People Speak finally makes its debut on the History Channel. This is more than just must-see-TV. It is nothing less than the life’s work of “people’s historian” Howard Zinn brought to life by some of the most talented actors, musicians, and poets in the country. Howard Zinn and his partner Anthony Arnove chose the most stirring political passages in Zinn’s classic A People’s History of the United States, creating a written anthology called Voices of a People’s History of the United States. Those “voices” have now been fully resurrected by a collection of performers ranging from Matt Damon to hip hop artist Lupe Fiasco to poet Staceyann Chin.

The People Speak also showcases John Legend reading the words of Muhammad Ali, Kerry Washington as Sojourner Truth, David Strathairn’s take on the soaring oratory of Eugene Debs, and Morgan Freeman as Frederick Douglass asking, “What is the 4th of July to the American Slave?” There are also the words of women factory workers read by Marisa Tomei, rebellious farmers personified by Viggo Mortensen, and escaped slaves voiced by Benjamin Bratt.

Certainly the lunatic right will howl to the heavens after seeing “liberal Hollywood” perform the words of labor radicals, anti-racists, feminists, and socialists. In fact, aided by the craven Matt Drudge, they are already in full froth, campaigning online to get the History Channel to drop The People Speak before its air-date. If it weren’t so contemptible, their actions would be almost quaint, like a virtual book burning.

But beneath the bombast, their hostile aversion “a people’s history” speaks volumes about why we need to support this project. This is a country dedicated to historical amnesia. Our radical past holds dangers for both those in power and those threatened by progressive change. We need to rescue the great battles for social justice from becoming either co-opted or simply erased from the history books. Our children don’t learn about the people who made the Civil Rights movement. Instead we get Dr. Martin Luther King on a McDonald’s commemorative cup. Because of our country’s organized ignorance, endless hours are wasted in every generation reinventing the wheel and relearning lessons already taught.

One reason Barack Obama made so many of us feel “hopey” during the 2008 election season is that he seemed to understand and even take inspiration from our “people’s history.” Candidate Obama would invoke the odysseys of abolitionists, suffragettes, freedom riders, and Stonewall rioters. He linked his campaign to this history with a slogan from today’s immigrant rights and union struggles: Si Se Puede, Yes We Can.

And yet this Presidency in practice has been like watching George W. Bush with a working cerebellum. Send 30,000 more troops to Afghanistan? Say nothing in the face of racist rallies held outside the capitol? Tell LGBT people to shut up and wait for their civil rights? All in a year’s work. The Obama administration is now counting upon the American people, to once again, quietly go with the flow all while pretending we never saw this movie before. This is why The People Speak matters. It’s aimed at reclaiming our hallowed history from all who would profane it: to resurrect our past as a guide to fight for the future.

There are those who will wrongly see The People Speak as a kind of “spoonful of sugar” approach to education. Get a celebrity to recite the words of Susan B. Anthony and all of a sudden, we’ll all want to be history buffs. But this isn’t Hollywood “slumming” in the land of radical chic. It is instead a bracing spectacle where our sacred history is reimagined by performance artists of tremendous craft. Consider the dramatic task at hand: they are attempting nothing less than turning politics into art. If Zinn and co-producers Arnove, Damon, Josh Brolin and Chris Moore pull this off, it holds the potential to introduce a new generation to Sojourner Truth, Eugene Debs, and perhaps most importantly of all, to the works of Howard Zinn.

As Zinn himself once said, “Knowing history is less about understanding the past than changing the future.” This is the grand adventure of Howard Zinn’s life. I encourage everyone to come along for the ride. Get your friends and family together on Sunday night and experience The People Speak. Then take them by the hand and pledge to be heard.
Dave Zirin is the author of “What’s My Name Fool? Sports and Resistance in the United States.” Read more of his work at Edgeofsports.com.

America’s Imperial Wars: We Need to See the Horrors April 11, 2009

Posted by rogerhollander in Iraq and Afghanistan, Israel, Gaza & Middle East, Vietnam, War.
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by Dave Lindorff

When I was a 17-year-old kid in my senior year of high school, I didn’t think much about Vietnam. It was 1967, the war was raging, but I didn’t personally know anyone who was over there, Tet hadn’t happened yet. If anything, the excitement of jungle warfare attracted my interest more than anything (I had a .22 cal rifle, and liked to go off in the woods and shoot at things, often, I’ll admit, imagining it was an armed enemy.)

But then I had to do a major project in my humanities program and I chose the Vietnam War. As I started researching this paper, which was supposed to be a multi-media presentation, I ran across a series of photos of civilian victims of American napalm bombing. These victims, often, were women and children-even babies.

The project opened my eyes to something that had never occurred to me: my country’s army was killing civilians. And it wasn’t just killing them. It was killing them, and maiming them, in ways that were almost unimaginable in their horror: napalm, phosphorus, anti-personnel bombs that threw out spinning flechettes that ripped through the flesh like tiny buzz saws. I learned that scientists like what I at the time wanted to become were actually working on projects to make these weapons even more lethal, for example trying to make napalm more sticky so it would burn longer on exposed flesh.

By the time I had finished my project, I had actively joined the anti-war movement, and later that year, when I turned 18 and had to register for the draft, I made the decision that no way was I going to allow myself to participate in that war.

A key reason my-and millions of other Americans’–eyes were opened to what the US was up to in Indochina was that the media at that time, at least by 1967, had begun to show Americans the reality of that war. I didn’t have to look too hard to find the photos of napalm victims, or to read about the true nature of the weapons that our forces were using.

Today, while the internet makes it possible to find similar information about the conflicts in the world in which the US is participating, either as primary combatant or as the chief provider of arms, as in Gaza, one actually has to make a concerted effort to look for them. The corporate media which provide the information that most Americans simply receive passively on the evening news or at breakfast over coffee carefully avoid showing us most of the graphic horror inflicted by our military machine.

We may read the cold fact that the US military, after initial denials, admits that its forces killed not four enemy combatants in an assault on a house in Afghanistan, but rather five civilians-including a man, a female teacher, a 10-year-old girl, a 15-year-old boy and a tiny baby. But we don’t see pictures of their shattered bodies, no doubt shredded by the high-powered automatic rifles typically used by American forces.

We may read about wedding parties that are bombed by American forces-something that has happened with some frequency in both Iraq and Afghanistan– where the death toll is tallied in dozens, but we are, as a rule, not provided with photos that would likely show bodies torn apart by anti-personnel bombs-a favored weapon for such attacks on groups of supposed enemy “fighters.” (A giveaway that such weapons are being used is a typically high death count with only a few wounded.)

Obviously one reason for this is that the US military no longer gives US journalists, including photo journalists, free reign on the battlefield. Those who travel with troops are under the control of those troops and generally aren’t allowed to photograph the scenes of devastation, and sites of such “mishaps” are generally ruled off limits until the evidence has been cleared away.

But another reason is that the media themselves sanitize their pages and their broadcasts. It isn’t just American dead that we don’t get to see. It’s the civilian dead-at least if our guys do it. We are not spared gruesome images following attacks on civilians by Iraqi insurgent groups, or by Taliban forces in Afghanistan. But we don’t get the same kind of photos when it’s our forces doing the slaughtering. Because often the photos and video images do exist-taken by foreign reporters who take the risk of going where the US military doesn’t want them.

No wonder that even today, most Americans oppose the wars in Iraq and Afghanistan not because of sympathy with the long-suffering peoples of those two lands, but because of the hardships faced by our own forces, and the financial cost of the two wars.

For some real information on the horror that is being perpetrated on one of the poorest countries in the world by the greatest military power the world has ever known, check out the excellent work by Professor Marc Herold at the University of New Hampshire (http://cursor.org/stories/civilian_deaths.htm and http://www.rawa.org/temp/runews/2008/10/06/the-imprecision-ofus-bombing-and-the-under-valuation-of-an-afghan-life.html).

Dave Lindorff is a Philadelphia-based journalist and columnist. He is author of Marketplace Medicine: The Rise of the For-Profit Hospital Chains (BantamBooks, 1992), and his latest book “The Case for Impeachment” (St. Martin’s Press, 2006). His work is available at www.thiscantbehappening.net

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