Nina Simone – Pirate Jenny Live 1964 January 31, 2013
Posted by rogerhollander in Art, Literature and Culture, Race.Tags: afro-american singer, black singer, brecht, kurt weil, music, nina simone, pirate jenny, roger hollander
add a comment
This is a performance everyone should experience.
CLICK HERE TO LISTEN: https://www.youtube.com/watch?v=V7awW5nrDHk
Woody Guthrie at 100 March 7, 2012
Posted by rogerhollander in Art, Literature and Culture.Tags: banksters, evictions, folk music, guthrie centennial, jim hightower, music, political protest, protest songs, roger hollander, Wall Street Bankers, woody guthrie
add a comment
Published on Wednesday, March 7, 2012 by Creators.com
Where’s Woody when we need him?
In these times of tinkle-down economics — with the money powers thinking that they’re the top dogs and that the rest of us are just a bunch of fire hydrants — we need for the hard-hitting (yet uplifting) musical stories, social commentaries and inspired lyrical populism of Woody Guthrie.
Woody Guthrie (1912 – 1967)
This year will mark the 100th anniversary of the birth of this legendary grassroots troubadour, who came out of the Oklahoma dust bowl to rally America’s “just plain folks” to fight back against the elites who were knocking them down.
As we know, the elites are back, strutting around cockier than ever with their knocking-down ways — but now comes the good news out of Tulsa, Okla., that Woody, too, is being revived, spiritually speaking. In a national collaboration between the Guthrie family and the George Kaiser Family Foundation, a center is being built in Tulsa to archive, present to the world and celebrate the marvelous songs, books, letters and other materials generated from Guthrie’s deeply fertile mind.
To give the center a proper kick-start, four great universities, the Grammy Museum, the Smithsonian Institution and the Kaiser Foundation are teaming up to host a combination of symposiums and concerts (think of them as Woody-Paloozas) throughout this centennial year. They begin this Saturday, March 10 at the University of Tulsa, then they move on down the road to Brooklyn College and on to the University of Southern California and Penn State University.
If Woody himself were to reappear among us, rambling from town to town, he wouldn’t need to write any new material. He’d see that the Wall Street banksters who crashed our economy are getting fat bonus checks, while the victims of their greed are still getting pink slips and eviction notices, and he could just pull out this verse from his old song, “Pretty Boy Floyd”:
Yes, as through this world I’ve wandered, I’ve seen lots of funny men. Some will rob you with a six-gun, And some with a fountain pen.
And as through your life your travel, Yes, as through your life your roam, You won’t never see an outlaw Drive a family from their home.
Also, witnessing the downsizing of America’s jobs, decimation of the middle class and stark rise in poverty, Guthrie could reprise his classic, “I Ain’t Got No Home”:
I mined in your mines, and I gathered in your corn. I been working, mister, since the day I was born. Now I worry all the time like I never did before, ‘Cause I ain’t got no home in this world anymore.
Now as I look around, it’s mighty plain to see, This world is such a great and a funny place to be. Oh, the gamblin’ man is rich, an’ the workin’ man is poor, And I ain’t got no home in this world anymore.
Guthrie unabashedly celebrated America’s working class, seeing in it the commitment to the common good that lifts America up.
He drove The Powers That Be crazy (a pretty short ride for many of them back then, just as it is today). So they branded him a unionist, socialist, communist and all sorts of other “ists” — but he withered them with humor that got people laughing at them: “I ain’t a communist necessarily, but I have been in the red all my life.”
Going down those “ribbons of highway” that he extolled in “This Land Is Your Land,” Guthrie found that the only real hope of fairness and justice was in the people themselves: “When you bum around for a year or two and look at all the folks that’s down and out, busted, disgusted (but can still be trusted), you wish that somehow or other they could … pitch in and build this country back up again.” He concluded, “There is just one way to save yourself, and that’s to get together and work and fight for everybody.”
And, indeed, that’s exactly what grassroots people are doing all across our country today. From Occupy Wall Street to the ongoing Wisconsin uprising, from battles against the Keystone XL Pipeline to the successful local and state campaigns to repeal the Supreme Court’s atrocious Citizens United edict, people are adding their own verses to Woody’s musical refrain: “I ain’t a-gonna be treated this a-way.”
Where’s Woody when we need him? He’s right there, inside each of us.
Find more information on Saturday’s Guthrie Centennial Celebration here.
<!–
–>
National radio commentator, writer, public speaker, and author of the book, Swim Against The Current: Even A Dead Fish Can Go With The Flow, Jim Hightower has spent three decades battling the Powers That Be on behalf of the Powers That Ought To Be – consumers, working families, environmentalists, small businesses, and just-plain-folks.
Voices of Resistance Sing On January 1, 2009
Posted by rogerhollander in Art, Literature and Culture, Peace.Tags: Africa, amy goodman, bernice johnson reagon, cia, denis moynihan, eartha kitt, fbi, folk music, Guantanamo, harold pinter, harry belafonte, howard zinn, Iraq, joan baez, lady bird, miriam makeba, music, nobel peace, Obama, odetta, pete seeger, povertym, resistance, roger hollander, rosa parks, sncc, South Africa, stokely carmichael, tutu, us policy
add a comment

Dec 31, 2008, www.truthdig.com
By Amy Goodman
Strong voices for peace have left us this year, people who used their art for social change, often at a high personal price.
Odetta was a legendary folk singer of the civil rights movement.
Considered the “Queen of American Folk Music,” Odetta introduced audiences worldwide to African-American folk, blues and gospel music.
New Year’s Eve was her birthday. She would have been 78. When Rosa Parks was asked which songs meant the most to her, she replied, “All of the songs Odetta sings.”
Odetta sang “Oh, Freedom,” an African-American slave spiritual, at the 1963 March on Washington. Early on, she attracted the interest of Harry Belafonte and Pete Seeger. Her voice, her talent with the guitar and the natural style in which she maintained her hair—later to be dubbed “afro”—set her as an icon of the civil rights movement. She told an interviewer in 2003:
“When I first started, I would sing these prison songs … it got to a point where doing the music actually healed me … it was music from those who went before. The music gave them strength, and the music gave us strength to carry it on.”
She inspired Bernice Johnson Reagon, an early member of the SNCC (the Student Nonviolent Coordinating Committee) Freedom Singers. She had been suspended from college in Albany, Ga., for civil rights protests, then went on to Spelman College, where historian Howard Zinn and his wife, Roz, took her to folk music concerts by Joan Baez and Odetta.
Reagon recalls the first time she heard Odetta:
“In Georgia, where I grew up in the country, the roads were built by chain-gang labor. I knew the sound, because as the men worked, they sang. But I never thought I’d hear it coming from a concert stage … when she sang prison songs or work songs. … She was just what I needed to begin my life as a freedom fighter and as a Freedom Singer.”
Reagon later went on to found the women’s a cappella group Sweet Honey in the Rock.
Another great liberation singer we lost this year was Miriam Makeba of South Africa, known as “Mama Afrika.” She sang against apartheid, then went into exile for decades. Belafonte helped her, too, gain recognition.
In 1968, she married SNCC-leader-turned-Black-Panther Stokely Carmichael, for which she was blacklisted in the U.S. until the 1980s.
Soon after her death, I asked the Nobel peace laureate Desmond Tutu about Makeba. The South African archbishop smiled: “Her singing, her voice, helped many people to know a little bit more about the vicious apartheid system. She was just a tremendous human being, a great loss to us and to Africa.”
Also blacklisted in 1968 was singer and actress Eartha Kitt, who died at age 81 on Christmas Day. In 1968, she was invited to a celebrity luncheon at the White House by Lady Bird Johnson, who asked Kitt about urban poverty. Kitt replied: “You send the best of this country off to be shot and maimed. They rebel in the street. They don’t want to go to school because they’re going to be snatched off from their mothers to be shot in Vietnam.” The first lady reportedly burst into tears. For years afterward, Kitt performed almost exclusively overseas and was investigated by the FBI and CIA.
Born out of the Deep South and South Africa, these women’s voices sang out, from concert halls to protest rallies. Another voice we just lost sang out from the written page. Harold Pinter died on Christmas Eve in London. Though too sick to travel to Stockholm to collect his Nobel Prize for Literature in 2005, he sent a video address: “The majority of politicians … are interested not in truth but in power. … To maintain that power it is essential that people remain in ignorance. … What surrounds us therefore is a vast tapestry of lies.” Pinter was referring to U.S. policy from Guantanamo to Iraq.
As these icons are laid to rest, their voices continue to inspire millions. Barack Obama will soon take the reins of the most powerful nation on Earth, promising change. But it will now take the actions of those millions, heeding these echoes of the past and transforming them into their own voices, to effect real change.
Denis Moynihan contributed research to this column.
Amy Goodman is the host of “Democracy Now!,” a daily international TV/radio news hour airing on more than 700 stations in North America. She was awarded the 2008 Right Livelihood Award, dubbed the “Alternative Nobel” prize, and received the award in the Swedish Parliament in December.
© 2008 Amy Goodman
Distributed by King Features Syndicate










LAND FILLHARMONIC December 14, 2012
Posted by rogerhollander in Art, Literature and Culture, Environment, Latin America, Paraguay.Tags: documentary, land fill, landfill, Latin America, music, musical instruments, paraguay, recycling, roger hollander, waste managment
add a comment
Roger’s note: this is truly amazing and inspring.
http://vimeo.com/m/52711779