Send In the Clowns: 3 Stooges, Gingrich, Sharpton & Duncan Hit the Road For Corporate “School Reform” February 2, 2010Posted by rogerhollander in Education.
Tags: al sharpton, arne duncan, bruce dixon, charter schools, chicago model, corporate school, education, education reform, educational privatization, newt gingrich, no child left behind, obama administration, privatization, public schools, roger hollander, school reform
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Quite separately from each other, Secretary of Education Arne Duncan, Rev. Al Sharpton and Newt Gingrich have long ago forfeited whatever credibility they may once have had. Taken together, they are simply a bad joke: three grown men publicly eye-poking and slap fighting each other while they all come together to sell us high-stakes testing, charter schools, educational privatization and the whole package of corporate “school reform.”
by BAR managing editor Bruce Dixon
Back in the late 19th and early 20th century heydays of vaudeville, when the singers bombed, when the jokes fell flat and audience attention started wandering, management knew what to do. They would send in the clowns. Some things haven’t changed.
Despite a decade of hard sell by right wing think tanks, foundations, and big media, the American people have not bought the corporate version of school reform. Most people just don’t believe public schools should be privatized or militarized, or operated by business people like businesses instead of by educators, parents and communities in the interests of children, parents and communities, like the best schools always have been run. And most educators doubt that high stakes testing improves educational outcomes in any meaningful way.
Since the public debates on charter schools and privatizing education are ones that our elite cannot win, they have decreed there will be no debate. Instead of an honest public examination of the disastrous impact of No Child Left Behind, and its attendant decade of creeping educational privatization, corporate media, the Obama administration and its bipartisan allies are sending in the clowns with a 21st century three stooges remake starring the Rev. Al Sharpton, along with Republican former Speaker Newt Gingrich and Obama Secretary of Education Arne Duncan, elbowing and slapping at each other, yukking it up about their supposed political differences while they all come together around the corporate elite’s version of “school reform.”
Stooge number one is Secretary of Education Arne Duncan, a former basketball player and friend of the president who, without a single hour of teaching experience was named by Chicago’s Mayor Daley to head the nation’s third largest school system. Duncan now pledges to extend the Chicago model of high stakes testing and massive school closings to create opportunities for what he calls “innovative” charter schools. Thanks to Duncan, Chicago’s public schools are now being sued by black teachers for racial discrimination in the wholesale dismissal of hundreds of qualified, dedicated black teachers and their replacement with younger, cheaper, less experienced and mostly whiter ones. Even now, the Obama administration is withholding federal education funds from states and school districts to force nationwide implementation of these so-called “reforms.”
Stooge number two is the Rev. Al Sharpton, whose presence allows the stooges to claim they are a “civil rights” act. Rev. Sharpton jumped aboard the corporate education reform bandwagon with both feet after receiving a half million dollar bribe last year for his National Action Network, reportedly brokered by New York City Schools Chancellor Joel Klein through a right wing not for profit agency that promotes charter schools.
Stooge number three is the same Newt Gingrich who once advocated removal of underachieving children from their parents’ homes to boarding schools and military academies, and whose 1994 Contract For America, demanded the dissolution of the US Department of Education.
Mass media ought to be where the studies, the facts, the experience and the voices of parents, educators, students and communities across the country wrestling with the problems of education are held up for all to examine and understand. But that would be too much like public service for our America’s privatized media. What we’ll get instead is entertainment. They’re sending in the clowns. And here they come!
Privatization Pictures presents a No Child Left Behind Production starring the New Three Stooges, Arne Duncan, Al Sharpton and Newt Gingrich in Corporate School Reform directed by Barack Obama and produced by the Bradley, Heritage and Walton Family Foundations, featuring fake statistics, dubious studies, crackpot merit pay schemes, charter schools including military charter schools, cronyism, patronage, corruption, worse educational outcomes, thousands of school closings, mass firings of qualified teachers, community destabilization, loss of public and community control, and the privatization of education.
For Black Agenda Report, I’m Bruce Dixon apologizing to the ghosts of the original three stooges. They’d understand. On the web, we are at http://www.blackagendareport.com.
Obama the ‘Magic Negro’ January 6, 2009Posted by rogerhollander in Barack Obama.
Tags: afrcan american, al sharpton, david ehrenstein, joe biden, magic negro, miscegenation, morgan freeman, Obama, racial segregation, roger hollander, saltsman, shanklin, sidney poitier, slavery, snoop dogg, white guilt, will smith
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But it’s clear that Obama also is running for an equally important unelected office, in the province of the popular imagination — the “Magic Negro.”
He’s there to assuage white “guilt” (i.e., the minimal discomfort they feel) over the role of slavery and racial segregation in American history, while replacing stereotypes of a dangerous, highly sexualized black man with a benign figure for whom interracial sexual congress holds no interest.
As might be expected, this figure is chiefly cinematic — embodied by such noted performers as Sidney Poitier, Morgan Freeman, Scatman Crothers, Michael Clarke Duncan, Will Smith and, most recently, Don Cheadle. And that’s not to mention a certain basketball player whose very nickname is “Magic.”
The same can’t quite be said of Freeman in “Driving Miss Daisy,” “Seven” and the seemingly endless series of films in which he plays ersatz paterfamilias to a white woman bedeviled by a serial killer. But at least he survives, unlike Crothers in “The Shining,” in which psychic premonitions inspire him to rescue a white family he barely knows and get killed for his trouble. This heart-tug trope is parodied in Gus Van Sant’s “Elephant.” The film’s sole black student at a Columbine-like high school arrives in the midst of a slaughter, helps a girl escape and is immediately gunned down. See what helping the white man gets you?
And what does the white man get out of the bargain? That’s a question asked by John Guare in “Six Degrees of Separation,” his brilliant retelling of the true saga of David Hampton — a young, personable gay con man who in the 1980s passed himself off as the son of none other than the real Sidney Poitier. Though he started small, using the ruse to get into Studio 54, Hampton discovered that countless gullible, well-heeled New Yorkers, vulnerable to the Magic Negro myth, were only too eager to believe in his baroque fantasy. (One of the few who wasn’t fooled was Andy Warhol, who was astonished his underlings believed Hampton’s whoppers. Clearly Warhol had no need for the accouterment of interracial “goodwill.”)
But the same can’t be said of most white Americans, whose desire for a noble, healing Negro hasn’t faded. That’s where Obama comes in: as Poitier’s “real” fake son.
The senator’s famously stem-winding stump speeches have been drawing huge crowds to hear him talk of uniting rather than dividing. A praiseworthy goal. Consequently, even the mild criticisms thrown his way have been waved away, “magically.” He used to smoke, but now he doesn’t; he racked up a bunch of delinquent parking tickets, but he paid them all back with an apology. And hey, is looking good in a bathing suit a bad thing?
The only mud that momentarily stuck was criticism (white and black alike) concerning Obama’s alleged “inauthenticty,” as compared to such sterling examples of “genuine” blackness as Al Sharpton and Snoop Dogg. Speaking as an African American whose last name has led to his racial “credentials” being challenged — often several times a day — I know how pesky this sort of thing can be.
Obama’s fame right now has little to do with his political record or what he’s written in his two (count ‘em) books, or even what he’s actually said in those stem-winders. It’s the way he’s said it that counts the most. It’s his manner, which, as presidential hopeful Sen. Joe Biden ham-fistedly reminded us, is “articulate.” His tone is always genial, his voice warm and unthreatening, and he hasn’t called his opponents names (despite being baited by the media).
Like a comic-book superhero, Obama is there to help, out of the sheer goodness of a heart we need not know or understand. For as with all Magic Negroes, the less real he seems, the more desirable he becomes. If he were real, white America couldn’t project all its fantasies of curative black benevolence on him.