Tags: border crossing, central america, child refugees, deportation, El Salvador, gabriel stargardter, guatemala, Honduras, Immigration, Obama, refugee children, refugees, roger hollander, undcocumented
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Roger’s note: what the mainstream media in its news and analyses universally fail to note is that the root cause of the migration from Central America lies in the actions and policies of the U.S. government over the years that have supported repressive business oriented governments controlled by oligarchic elites. In particular the Obama/Hillary Clinton policies in support of the military coup in Honduras have resulted in Honduras being perhaps the most violent country on the face of the globe. The lucrative drug trade and the attendant violence is a symptom of US directed imperial military supported corporatism, and not the fundamental cause of the massive migration. As for the costs of implementing a humanitarian policy of dealing with children refugees, a fraction of the dollars spent on the illegal wars in the Middle East, North Africa and Afghanistan would be sufficient. That the U.S. government at the direction of a president who is both heartless and gutless, is sending Honduran mothers and their children back to the most violent city in the world, that while in custody these mothers and children are treated like animals, is beyond disgusting. That the commonly held perceived solution is increased border security and deportation is not only an example of tunnel vision, but a head in the sand approach to a problem that the US government has created, and along with corporate media and both political parties, refuses to acknowledge. Imperialism and xenophobia go hand in hand.
SAN PEDRO SULA, Honduras, July 14 (Reuters) – The United States deported a group of Honduran children as young as 1-1/2 years old on Monday in the first flight since President Barack Obama pledged to speed up the process of sending back undocumented immigrant minors from Central America.
Fleeing violence and poverty, record numbers of children from Honduras, El Salvador and Guatemala have crossed into the United States over the past year, testing U.S. border facilities and sparking intense debate about how to solve the problem.
Monday’s charter flight from New Mexico to San Pedro Sula, the city with the highest murder rate in the world, returned 17 Honduran women, as well as 12 girls and nine boys, aged between 18 months and 15 years, the Honduran government said.
Looking happy, the deported children exited the airport on an overcast and sweltering afternoon. One by one, they filed into a bus, playing with balloons they had been given.
Nubia, a 6-year-old girl among the deportees, said she left Honduras a month ago for a journey that ended when she and her mother were caught on the Mexico-Texas border two weeks later.
“Horrible, cold and tiring,” was how Nubia remembered the trip that was meant to unite the pair with her three uncles already living in the United States.
Instead, her mother Dalia paid $7,000 in vain to a coyote, or guide, to smuggle them both across the border.
Once caught, U.S. officials treated them like “animals”, holding them in rooms with as many as 50 people, where some mothers had to sleep standing up holding children, Dalia said.
During the eight months ended June 15, some 52,000 children were detained at the U.S. border with Mexico, most of them from Central America. That was double the previous year’s tally and tens of thousands more are believed to have slipped through.
So chaotic are the circumstances of the exodus that some of the children are not even correctly reunited with their parents, said Valdette Willeman, director of the Center for Attention for Returned Migrants in Honduras.
“Many of the mothers are sometimes not even the real mothers of the children,” she said.
Monday’s flight departed as Obama faces increasing pressure to address the surge of unaccompanied minors.
Immigrant advocates urge him to address the humanitarian needs of the migrants. At the same time, Republicans in Congress have blamed the crisis on Obama’s immigration policies and have called on him to secure the border.
Obama’s administration has stressed that Central American children who cross the border illegally will be sent home, and last week said it would speed up the deportation process.
Honduras, El Salvador and Guatemala have suffered from gang violence and incursions from Mexican drug cartels using the region as a staging post for their trafficking operations.
Honduran President Juan Hernandez, in an interview published on Monday, blamed U.S. drug policy for sparking violence and ramping up migration to the United States. His wife urged the United States to do more to help.
“The countries consuming drugs need to support (us) and take joint responsibility because if there wasn’t demand, there wouldn’t be production and we wouldn’t be living like we are,” Ana Garcia de Hernandez said as she awaited the children.
Obama’s administration has projected that without government action, more than 150,000 unaccompanied children under the age of 18 could flee the three Central American nations next year.
The proposed actions will test Obama’s ability to negotiate effectively with Republican lawmakers who have blocked much of his agenda ahead of a November election when they hope to capture the U.S. Senate from his Democratic Party. (Additional reporting by Gustavo Palencia in San Pedro Sula and Julia Edwards in Washington; Writing by Dave Graham; Editing by Dan Grebler and Lisa Shumaker)
Tags: First Nations, janet allon, native americans, nfl, redskins, roger hollander, washington redskins
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Roger’s note: Watch the video, it is lovely and uplifting.
Photo Credit: via youtube/changethemascot.org
During this weekend’s highly anticipated NBA final, an ad that the NFL does not want to air will hit the airwaves. It is a powerful and moving plea to change the offensive Washington Redskins name and mascot produced by a group called the National Congress of American Indians.
The ad runs through a list of words that Native Americans actually call themselves: proud, forgotten, Navajo, mother, survivor, Inuit, patriot, underserved . . . and many more.
It’s quite a long and enlightening list, accompanied by beautiful photographs, and its intent is clear. Redskins is a derogatory term that has no place in our national dialogue, or as the name of a football team. Will the NFL listen?
You can watch and listen:
Paris liberation made ‘whites only’ May 19, 2014Posted by rogerhollander in Europe, France, History, Nazi / Fascist, Racism.
Tags: de gaulle, europe, history, liberation of paris, Mike Thompson, paris, paris liberation, Race, racism, roger hollander, second world war, whites only, world war II
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Roger’s note: Just as the Civil War had the “side effect” of ending slavery in the United States but was really fought in order to preserve the Union, World War II is often characterized as a war to promote freedom and defeat racism, but that too was mostly propaganda, the real dynamic was a power struggle between the Allied nations and the nations of the Axis. Just as government sponsored racism is alive and well today in the U.S. (cf. the recent Supreme Court decision against affirmative action), racism was universally upheld by the leadership and governments the the victorious Allied nations of the second world war, the so-called free world.
By Mike Thomson
Presenter, Document, BBC Radio 4
Many of the “French” division which led the liberation of Paris were Spanish
Papers unearthed by the BBC reveal that British and American commanders ensured that the liberation of Paris on 25 August 1944 was seen as a “whites only” victory.
Many who fought Nazi Germany during World War II did so to defeat the vicious racism that left millions of Jews dead.
Yet the BBC’s Document programme has seen evidence that black colonial soldiers – who made up around two-thirds of Free French forces – were deliberately removed from the unit that led the Al lied advance into the French capital.
By the time France fell in June 1940, 17,000 of its black, mainly West African colonial troops, known as the Tirailleurs Senegalais, lay dead.
Many of them were simply shot where they stood soon after surrendering to German troops who often regarded them as sub-human savages.
Their chance for revenge came in August 1944 as Allied troops prepared to retake Paris. But despite their overwhelming numbers, they were not to get it.
The leader of the Free French forces, Charles de Gaulle, made it clear that he wanted his Frenchmen to lead the liberation of Paris.
I have told Colonel de Chevene that his chances of getting what he wants will be vastly improved if he can produce a white infantry division
General Frederick Morgan
Allied High Command agreed, but only on one condition: De Gaulle’s division must not contain any black soldiers.
In January 1944 Eisenhower’s Chief of Staff, Major General Walter Bedell Smith, was to write in a memo stamped, “confidential”: “It is more desirable that the division mentioned above consist of white personnel.
“This would indicate the Second Armoured Division, which with only one fourth native personnel, is the only French division operationally available that could be made one hundred percent white.”
At the time America segregated its own troops along racial lines and did not allow black GIs to figh t alongside their white comrades until the late stages of the war.
Given the fact that Britain did not segregate its forces and had a large and valued Indian army, one might have expected London to object to such a racist policy.
Yet this does not appear to have been the case.
A document written by the British General, Frederick Morgan, to Allied Supreme Command stated: “It is unfortunate that the only French formation that is 100% white is an armoured division in Morocco.
“Every other French division is only about 40% white. I have told Colonel de Chevene that his chances of getting what he wants will be vastly improved if he can produce a white infantry division.”
Finding an all-white division that was available proved to be impossible due to the enormous contribution made to the French Army by West African conscripts.
So, Allied Command insisted that all black soldiers be taken out and replaced by white ones from other units.
When it became clear that there were not enough white soldiers to fill the gaps, soldiers from parts of North Africa and the Middle East were used instead.
In the end, nearly everyone was happy. De Gaulle got his wish to have a French division lead the liberation of Paris, even though the shortage of white troops meant that many of his men were actually Spanish.
We were colonised by the French. We were forced to go to war… France has not been grateful. Not at all.
Former French colonial soldier
The British and Americans got their “Whites Only” Liberation even though many of the troops involved were North Af rican or Syrian.
For France’s West African Tirailleurs Senegalais, however, there was little to celebrate.
Despite forming 65% of Free French Forces and dying in large numbers for France, they were to have no heroes’ welcome in Paris.
After the liberation of the French capital many were simply stripped of their uniforms and sent home. To make matters even worse, in 1959 their pensions were frozen.
Former French colonial soldier, Issa Cisse from Senegal, who is now 87 years-old, looks back on it all with sadness and evident resentment.
“We, the Senegalese, were commanded by the white French chiefs,” he said.
“We were colonised by the French. We were forced to go to war. Forced to follow the orders that sai d, do this, do that, and we did. France has not been grateful. Not at all.”
Mike Thomson presents Radio 4′s Document at 2000BST on Monday 6 April
James Baldwin, Born 90 Years Ago, Is Fading in Classrooms April 24, 2014Posted by rogerhollander in Art, Literature and Culture, Education, Race, Racism, Revolution.
Tags: afro-american, black history, education, felicia r. lee, james baldwin, Race, racism, roger hollander
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Roger’s note: As with MLK’s more radical anti-war, anti-American speeches vanish (whitewashed, pun intended) from official history, so do genuine revolutionary radicals like James Baldwin, Malcolm X (born Malcolm Little) and Amiri Baraka (born Leroi Jones in Newark, New Jersey, my birthplace). It is no coincidence, rather a conscious amnesia. In the same week celebrating the 90th anniversary of Baldwin’s birth, the US Supreme Court upholds racist anti affirmative action state law. This week also saw the passing away of Rubin “Hurricane” Carter, the prize fighter who spent 19 years in prison based on racist prosecutions and verdicts in Patterson, New Jersey (my beloved home state).
By FELICIA R. LEE
APRIL 24, 2014, New York Times
James Baldwin’s 1953 novel, “Go Tell It on the Mountain,” about a Harlem teenager’s search for meaning, quickly became a classic, along with his searing essays about race published a decade later in the book “The Fire Next Time.” But in recent years Baldwin’s presence has diminished in many high school classrooms.
In a year that marks the 90th anniversary of his birth, educators offer different reasons for Baldwin’s faded presence there, from the concern that he is too controversial and complex to the perception that he has been eclipsed by other African-American voices. Collectively the explanations illustrate how attitudes about race have changed, along with the way the high school literary experience has evolved according to currents in the field.
“Baldwin is still there, but he’s not there in the way he was,” said Jocelyn A. Chadwick, chairwoman of the secondary level of the National Council of Teachers of English, pointing out that while in the 1960s and ’70s students would study Baldwin’s essays, short stories and novels in their entirety, today they often encounter his work only in anthologies.
Isaac Asante participates in a discussion of “Sonny’s Blues” in Ms. Brantley’s class.
Now teachers, scholars and other Baldwin fans are seizing on the anniversary of his birth in Harlem to inspire what they hope will be a revival of a younger generation’s interest in the work of one of the country’s most gifted writers and major voices on race and morality.
The New York Live Arts festival “James Baldwin, This Time,” which began on Wednesday and continues through Sunday with performances and events across disciplines, is an extensive commemoration of the writer, who was black and gay and died in 1987. The festival kicks off a yearlong, citywide consideration of Baldwin at several places, including Harlem Stage, the Columbia University School of the Arts and the New School’s Vera List Center for Art and Politics.
Additionally, some of Baldwin’s books are being reissued this year, and there are new appraisals of his work as well as new work inspired by him. “Jimmy’s Blues and Other Poems” (Beacon Press), with an introduction by the poet Nikky Finney, came out this month. Vintage reissued “Giovanni’s Room” and “Go Tell It on the Mountain” last year. Already the attention has prompted a broader conversation about Baldwin’s legacy.
“I think he’s not taught as much anymore on the high school level because he’s incendiary and, for some, inflammatory,” said Rich Blint, a Baldwin scholar and associate director in the Office of Community Outreach and Education at the Columbia University School of the Arts. Paradoxically, the belief that the county is somehow postracial, Mr. Blint said, has shut down some discussions about race. “Think about how impoverished our racial conversations are now,” he said.
Educators also cite poor reading habits, censorship and Baldwin’s absence from the list of works suggested for Common Core standards as reasons his works are not studied regularly. And since the late ’70s and early ’80s, as school districts have scrambled for more diverse subject matter in the classroom, Baldwin has had to share space with a new crop of black writers, especially women: Toni Morrison and Maya Angelou. Over the years, some parents and schools have also challenged what they saw as the sexual material, violence and profanity in Baldwin’s work. Sex — interracial and intraracial, gay and straight — is prominent in his fiction. His raw dissections of race also raised concerns.
Long before it was fashionable to argue that race was a social construct, Baldwin famously said, “Insofar as you think you’re white, you’re irrelevant,” during a 1979 speech in Berkeley, Calif., a sentiment he repeated in his writing and public appearances. Racism was not a stain on American exceptionalism, Baldwin argued, but a deliberate feature of a country that he said routinely terrorized black people. He moved to France in the late 1940s to evade racism, but he returned home often, and he helped to articulate the pains of the civil rights movement.
“He was one of the fiercest critics of the American race problem who ever put pen to paper,” said Khalil G. Muhammad, director of the Schomburg Center for Research in Black Culture. A historian, Mr. Muhammad has taught Baldwin to students as young as eighth grader to help them understand history and to articulate and communicate the conditions of their lives, he said. In his travels around the country, though, he does not find nearly enough young Baldwin readers, he said.
In the words of Walter Dean Myers, an award-winning children’s author, in an interview, “It begins with the fact that the students are not reading that well at all, the teachers shy away from complex issues, and the parents are not making demands.” While it can be difficult to generalize about a vast universe of schools, high school students who do read Baldwin are more apt to attend elite or high-performing schools, said Mr. Myers, who in 2012 and 2013 traveled to dozens of libraries, schools and community centers around the country as a national ambassador for young people and literature.
Nevertheless, in some quarters Baldwin remains a vivid part of adolescent lives. In a classroom decorated with Baldwin quotations at the Frederick Douglass Academy 1 in Harlem, students in freshman English one recent morning recited poems inspired by “Sonny’s Blues,” Baldwin’s short story about a jazz musician whose demons include heroin.
“In a dark place is where my soul lays/one parent dead and the other missing,” went two lines of “Stanley’s Blues,” by Stanley Anisca.
Shawnakay Shaw recited, “Living in the hood ain’t no joke/especially when you’re broke selling dope.”
To include young people in the new considerations of Baldwin, students from the James Baldwin School, a Manhattan high school, will join such prominent artists as Ms. Finney, Suzan-Lori Parks, Marcus Gardley, Vijay Iyer and others in reading and discussing Baldwin’s writing at a Live Arts noon program, “Jimmy at High Noon,” at the New York Live Arts Studio every day during the festival.
For some Baldwin fans, those events are a bright spot on a generally dull landscape. “On one hand, he’s on a U.S. postage stamp; on the other hand, he’s not in the Common Core,” said Henry Louis Gates Jr., director of the Hutchins Center for African & African American Research at Harvard University. “A lot of public high school students will not have heard of him, and that’s a tragedy. The burden of protecting James Baldwin’s hugely important legacy is on teachers of English.”
Baldwin’s name and books are not listed in the appendix of the Common Core State Standards, a set of learning goals adopted by more than 40 states and the District of Columbia. (Richard Wright, for instance, is included.) Its proponents argue that the core’s “exemplar” list of books and writers is just a guidepost, not definitive and not reflective of a canon or a curriculum. Many canonical titles are not on the list, “The Adventures of Huckleberry Finn” by Mark Twain being one example.
Susan Pimentel, a leading writer on the standards for English language arts and literacy, said in an email message that it would be heartbreaking to think that a great story like “Sonny’s Blues” would be overlooked just because it was not on the list. However, she said, “It simply was not the aim of Appendix B to create a list of important authors to read and wade into the canonical arguments of the 1980s.”
At Frederick Douglass, there was no doubt that Baldwin would be in the canon and the classroom. Joseph D. Gates, the principal, said his school has the latitude to create the curriculum with the staff and to include work that will be relevant to students. The school has a reputation for sending all its seniors to college, including some to Ivy League schools.
“I think Baldwin presents a perspective that is uniquely Harlem,” Mr. Gates said. “Many of the struggles the students face are the same: self-identity, racism, drugs and alcohol, even though the times have changed.”
Lynch Law: The Root of US imperialism April 3, 2014Posted by rogerhollander in Civil Liberties, History, Human Rights, Imperialism, Race, Racism, Torture, War.
Tags: danny haiphong, history, ho chi minh, imperialism, jim crow, kill list, KKK, lynch law, lynching, ndaa, Race, racism, roger hollander, slavery, solitary confinement, torture, white power
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Roger’s note: there are strong words. Back in the late 1960s those of us protesting the US aggression in Vietnam were criticized for using the word “fascist” to characterize the U.S. government. It seemed to many then, as it may seem to many now, that the use of such language was going overboard. I disagreed then, and I disagree now. And believe me, friends, in terms of the kinds of governmental actions that can be described as fascist, we have come a long way since then.
Domestic U.S. lynch has morphed into imperialist terrorism. “Washington uses a nexus of intelligence and military institutions to lynch the world’s people of their lives and resources.”
by Danny Haiphong; http://www.blackagendareport.com, April 1, 2014
“The prospect of being lynched by Obama’s ‘kill list’ or detained under the National Defense Authorization Act (NDAA) is just a ‘terrorist’ label away from any American the US government finds a threat to its ‘national security.’”
The political and economic foundation of the United States is built on the corpses of legal lynching, or “lynch law.” Without the genocide and enslavement of Black and indigenous peoples, the US capitalist class could not have amassed its profits, wealth, or power. Following the passage of the 13th Amendment that supposedly ended Black chattel slavery at the close of the Civil War, the US capitalist class moved quickly to reorganize the capitalist economy so newly “freed” Blacks would remain enslaved. Convict-leasing, sharecropping, and legalized segregation ensured Black exploitation and white power. These brutal forms of exploitation were kept intact by white terrorism in the form of lynching.
Thousands of Black people were lynched by white supremacists from the end of the Civil War until 1968. Ho Chi Minh, the first revolutionary president of socialist Vietnam, worked in the US in the mid-1920s and examined the horrors of lynching. He described the gruesome details of white vigilantes torturing and killing Black people with impunity. Local law enforcement officials protected white lynch mobs like the KKK and Black Legion and often participated in lynching alongside their white counterparts. ‘Uncle Ho’ states in his work Lyching (1924) that “the principal culprits [of lynching] were never troubled, for the simple reason that they were always incited . . . then protected by the politicians, financiers, and authorities . . . “ It wasn’t until Black people organized themselves to defend and arm their communities that white mobs were forced to curtail their racist murder sprees.
“80,000 mostly Black prisoners are caged in solitary confinement, which by definition is torture and illegal under international law.”
The so-called end of “Jim Crow” racism only changed the form in which Black people would be lynched by the US racist order. The US capitalist class responded to the force of the Black liberation movement by institutionalizing “lynch law” into its criminal injustice system. Today, some form of law enforcement murders a Black person in this country every 28 hours. Nearly half of the estimated 3 million US prisoners are Black and nearly all are “people of color.” 80,000 mostly Black prisoners are caged in solitary confinement, which by definition is torture and illegal under international law. Numerous states in the US have “Stand your ground” laws that allow white supremacists to murder Black people with impunity. Sound familiar? And President Obama, the Commander-in-Chief of US imperialism, is too concerned with pathologizing Black America than forwarding substantive policies that address “lynch law” on behalf of his most loyal constituency.
In this period of heightened exploitation for the oppressed in general and Black America in particular, the propertied classes are becoming increasingly paranoid about the potential for popular unrest. “Lynch law” is becoming the law of the land for the entire populace. A homeless man in Albuquerque, New Mexico was shot dead by local police for being homeless on March 16th. More US citizens have been murdered by US law enforcement in the last decade than have died in the US invasion of Iraq over the same period. The surveillance US imperialism had to conduct in secret on radical dissent in the past has expanded to the entire population through a massive surveillance state of federal intelligence agencies, private contractors, and US multinational corporations. The prospect of being lynched by Obama’s “kill list” or detained under the National Defense Authorization Act (NDAA) is just a “terrorist” label away from any American the US government finds a threat to its “national security.”
“More US citizens have been murdered by US law enforcement in the last decade than have died in the US invasion of Iraq over the same period.”
“Lynch law” is also a global tactic for US imperialism to maintain its global domination. Washington uses a nexus of intelligence and military institutions to lynch the world’s people of their lives and resources. This can be examined in specific instances like the thousands of people in the Middle East and Africa murdered by Obama Administration drone strikes or the NATO bombing of Libya that killed tens of thousands and nearly exterminated the Black Libyan population. The CIA has overthrown over 50 foreign governments since the end of World War II. These are just a few important examples of how Washington and its masters, the capitalist class, must lynch the majority of the world’s people to obtain their wealth and power.
The increasing violence, suffering, and social death imposed on oppressed people by US imperialist “lynch law” exposes the bankruptcy of the liberal wing of the capitalist class. Propped up by the corporate media like MSNBC, this self-proclaimed “left” actively participates in bi-partisan lynching in all of its forms to further their careers with the liberal imperialist Democratic Party and the untouchable fascist Commander-in-Chief, Barack Obama. Any movement that depends on this corporate brand of leftism to bring about the end of US lynch law is destined to fail. A people’s movement for complete justice will have to be led by the struggle of Black America’s oppressed majority and all communities suffering from US fascist rule. We must spend each day building a movement that empowers oppressed people to demand the power to collectively determine their own destiny. This movement is far from victory’s reach, but each day we fail to act, another exploited human being is lynched by the US imperialist system.
Danny Haiphong is an activist and case manager. You can contact Danny at: email@example.com.
The One (Dreadful) Thing They Don’t Call Themselves February 3, 2014Posted by rogerhollander in First Nations, Racism, Sports.
Tags: abby zimet, american indians, First Nations, football, indians, mascots, racism, redskins, roger hollander, sports, washington redskins
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by Abby Zimet
Just in time for the Super Bowl, the National Congress of American Indians has releasedProud To Be, a powerful new ad that seeks to explain why the Washington Redskins name – which never gets mentioned – is a racist horror that needs to be changed. With a fascinating history of the word, from its reportedly “benign” origins to its use in 1860s bounty notices – “$200 for every red-skin sent to purgatory” – to the decades-long fight to change a name that ignorant rich people like owner Dan Snyder, all of whom should know better but somehow don’t, continue to insist is “a badge of honor.” Tell them it’s not. It’s time they join this century.
Trayvon Martin Nativity Display At Claremont United Methodist Church Urges Us Not To Forget Gun Violence Victims December 28, 2013Posted by rogerhollander in Gun Control/Violence, Racism, Religion.
Tags: christmas, christmas 2013, Claremont United Methodist Church, gun control, guns, Nativity, nra, racism, Religion News, roger hollander, trayvon martin, Trayvon Martin Case, Trayvon Martin Nativity, Umc, United Methodist Church, violence, zimmerman
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Roger’s note: I am not that big on organized Christianity or the nativity myth, but there are some few who call themselves Christian who actually do reflect the ethic of love and peace. And I am big on remembering Trayvon Martin and the institutionalized racism and gun industry that were responsible for his murder as much as the fool Zimmerman.
Trayvon Martin hasn’t been forgotten at Claremont United Methodist Church in Claremont, Cali.– in fact, he appears front and center in their Nativity display. He serves as a bloody and tragic reminder of the dangers of gun violence and racial privilege in today’s America, reports David Allen of the Inland Valley Daily Bulletin.
Amongst the traditional holy family, Martin sits hunched over in his iconic black hoodie, blood pouring from his chest and pooling at his feet, reports Patch.com. The title of the scene, “A Child is Born, a Son is Given,” is outlined within the blood and evokes themes of both Christmas and Easter, according to artist John Zachary, who has been creating thought-provoking displays since 2007.
Zachary told Allen in an interview that the acquittal of George Zimmerman, who fatally shot the unarmed teenager in 2012, “struck him as a worthy subject for Christmas comment.”
“There is no better time to reflect on gun violence than advent, when we celebrate the birth of Jesus,” says a sign at the church.. “Jesus was born into a state of total vulnerability as an innocent, unarmed child during a time of great violence much like Trayvon Martin.”
As families gather together at Christmas to celebrate, Zachary hopes to get them to think long and hard about their own blessings and privileges. He told Allen that many Christmas traditions of gifts reflect “privilege, and there’s a lot of people who don’t have that privilege. Maybe I should do something that’s provocative, that’s more in keeping with the teachings of Jesus.”
Artist John Zachary
This isn’t the first time that the church has used the Nativity as an opportunity to remind people about issues of social justice and inequality, which probably would have been of great concern to Jesus himself. Past displays have included Jesus and Mary as a homeless couple struggling to feed their newborn child, as Iraqi refugees next to U.S. soldiers, as immigrants from Mexico stopped by the wall at the border, among others. In 2011, Zachary’s Nativity display was of the outlines of three couples, two of them same-sex, gathering under the banner “Christ Is Born.”
Sharon Rhodes-Wickett, lead pastor at the church, told Allen that she finds this year’s scene difficult to look at, due to its violence. “It’s hard to look at a young man who’s shot and bleeding to death,” she said. “But even though I’m uncomfortable, that’s the point. We have to take a look at the violence.”
Response to the display has been surprisingly muted. “I thought this would be more controversial, but I come to find out people don’t really like people getting shot,” Zachary told Allen. “They may not agree what to do about it, but they agree it’s a bad thing.”
Rhodes-Wickett said that her congregation is progressive, and that “Most people like something that makes us think and makes us search our hearts.”
Also on HuffPost:
The Play’s the Thing December 16, 2013Posted by rogerhollander in Art, Literature and Culture, Criminal Justice, Education, Poverty, Race, Racism, Torture.
Tags: august wilson, chris hedges, education, incarceration, poverty, prison, prisoners, Race, racism, roger hollander, solitary confinement, theatre, torture
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Posted on Dec 15, 2013, http://www.truthdig.com
|AP/Ted S. Warren|
|Pulitzer Prize-winning playwright August Wilson in his Seattle neighborhood in 2003.|
By Chris Hedges
I began teaching a class of 28 prisoners at a maximum-security prison in New Jersey during the first week of September. My last class meeting was Friday. The course revolved around plays by August Wilson, James Baldwin, John Herbert, Tarell Alvin McCraney, Miguel Piñero, Amiri Baraka and other playwrights who examine and give expression to the realities of America’s black underclass as well as the prison culture. We also read Michelle Alexander’s important book “The New Jim Crow: Mass Incarceration in the Age of Colorblindness.” Each week the students were required to write dramatic scenes based on their experiences in and out of prison.
My class, although I did not know this when I began teaching, had the most literate and accomplished writers in the prison. And when I read the first batch of scenes it was immediately apparent that among these students was exceptional talent.
The class members had a keen eye for detail, had lived through the moral and physical struggles of prison life and had the ability to capture the patois of the urban poor and the prison underclass. They were able to portray in dramatic scenes and dialogue the horror of being locked in cages for years. And although the play they collectively wrote is fundamentally about sacrifice—the sacrifice of mothers for children, brothers for brothers, prisoners for prisoners—the title they chose was “Caged.” They made it clear that the traps that hold them are as present in impoverished urban communities as in prison.
The mass incarceration of primarily poor people of color, people who seldom have access to adequate legal defense and who are often kept behind bars for years for nonviolent crimes or for crimes they did not commit, is one of the most shameful mass injustices committed in the United States. The 28 men in my class have cumulatively spent 515 years in prison. Some of their sentences are utterly disproportionate to the crimes of which they are accused. Most are not even close to finishing their sentences or coming before a parole board, which rarely grants first-time applicants their liberty. Many of them are in for life. One of my students was arrested at the age of 14 for a crime that strong evidence suggests he did not commit. He will not be eligible for parole until he is 70. He never had a chance in court and because he cannot afford a private attorney he has no chance now of challenging the grotesque sentence handed to him as a child.
My stacks of 28 scenes written by the students each week, the paper bearing the musty, sour smell of the prison, rose into an ungainly pile. I laboriously shaped and edited the material. It grew, line by line, scene by scene, into a powerful and deeply moving dramatic vehicle. The voices and reality of those at the very bottom rung of our society—some of the 2.2 million people in prisons and jails across the country, those we as a society are permitted to demonize and hate, just as African-Americans were once demonized and hated during slavery and Jim Crow—began to flash across the pages like lightning strikes. There was more brilliance, literacy, passion, wisdom and integrity in that classroom than in any other classroom I have taught in, and I have taught at some of the most elite universities in the country. The mass incarceration of men and women like my students impoverishes not just them, their families and their communities, but the rest of us as well.
“The most valuable blacks are those in prison,” August Wilson once said, “those who have the warrior spirit, who had a sense of being African. They got for their women and children what they needed when all other avenues were closed to them.” He added: “The greatest spirit of resistance among blacks [is] found among those in prison.”
I increased the class meetings by one night a week. I read the scenes to my wife, Eunice Wong, who is a professional actor, and friends such as the cartoonist Joe Sacco and the theologian James Cone. Something unique, almost magical, was happening in the prison classroom—a place I could reach only after passing through two metal doors and a metal detector, subjecting myself to a pat-down by a guard, an X-ray inspection of my canvas bag of books and papers, getting my hand stamped and then checked under an ultraviolet light, and then passing through another metal door into a barred circular enclosure. In every visit I was made to stand in the enclosure for several minutes before being permitted by the guards to pass through a barred gate and then walk up blue metal stairs, through a gantlet of blue-uniformed prison guards, to my classroom.
The class, through the creation of the play, became an intense place of reflection, debate and self-discovery. Offhand comments, such as the one made by a student who has spent 22 years behind bars, that “just because your family doesn’t visit you doesn’t mean they don’t love you,” reflected the pain, loneliness and abandonment embedded in the lives of my students. There were moments that left the class unable to speak.
A student with 19 years behind bars read his half of a phone dialogue between himself and his mother. He was the product of rape and tells his mother that he sacrificed himself to keep his half brother—the only son his mother loves—out of prison. He read this passage in the presentation of the play in the prison chapel last Thursday to visitors who included Cornel West and James Cone.
Terrance: You don’t understand[,] Ma.
Terrance: You’re right. Never mind.
PauseTerrance: What you want me to say Ma?
Terrance: Ma, they were going to lock up Bruce. The chrome [the gun] was in the car. Everyone in the car would be charged with murder if no one copped to it …
Terrance: I didn’t kill anyone Ma… Oh yeah, I forgot, whenever someone says I did, I did it.
Terrance: I told ’em what they wanted to hear. That’s what niggas supposed to do in Newark. I told them what they wanted to hear to keep Bruce out of it. Did they tell you who got killed? Did they say it was my father?
Terrance: Then you should know I didn’t do it. If I ever went to jail for anything it would be killing him … and he ain’t dead yet. Rape done brought me into the world. Prison gonna take me out. An’ that’s the way it is Ma.
Terrance: Come on Ma, if Bruce went to jail you would’uv never forgiven me. Me, on the other hand, I wasn’t ever supposed to be here.
Terrance: I’m sorry Ma … I’m sorry. Don’t be cryin’. You got Bruce. You got him home. He’s your baby. Bye Ma. I call you later.
After our final reading of the play I discovered the student who wrote this passage sobbing in the bathroom, convulsed with grief.
In the play when a young prisoner contemplates killing another prisoner he is given advice on how to survive prolonged isolation in the management control unit (solitary confinement, known as MCU) by an older prisoner who has spent 30 years in prison under a sentence of double life. There are 80,000 U.S. prisoners held in solitary confinement, which human rights organizations such as Amnesty International define as a form of torture. In this scene the older man tells the young inmate what to expect from the COs, or correction officers.
Ojore (speaking slowly and softly): When they come and get you, ’cause they are gonna get you, have your hands out in front of you with your palms showing. You want them to see you have no weapons. Don’t make no sudden moves. Put your hands behind your head. Drop to your knees as soon as they begin barking out commands.
Omar: My knees?
Ojore: This ain’t a debate. I’m telling you how to survive the hell you ’bout to endure. When you get to the hole you ain’t gonna be allowed to have nothing but what they give you. If you really piss them off you get a ‘dry cell’ where the sink and the toilet are turned on and off from outside. You gonna be isolated. No contact. No communication.
Ojore: ’Cause they don’t want you sendin’ messages to nobody before dey question some of da brothers on the wing. IA [internal affairs officers] gonna come and see you. They gonna want a statement. If you don’t talk they gonna try and break you. They gonna open the windows and let the cold in. They gonna take ya sheets and blankets away. They gonna mess with ya food so you can’t eat it. An’ don’t eat no food that come in trays from the Vroom Building. Nuts in Vroom be spittin’, pissin’ and shittin’ in the trays. Now, the COs gonna wake you up every hour on the hour so you can’t sleep. They gonna put a bright-ass spotlight in front of ya cell and keep it on day and night. They gonna harass you wit’ all kinds of threats to get you to cooperate. They will send in the turtles in their shin guards, gloves, shank-proof vests, forearm guards and helmets with plexiglass shields on every shift to give you beat-downs.
Omar: How long this gonna go on?
Ojore: Til they break you. Or til they don’t. Three days. Three weeks. You don’t break, it go on like this for a long time. An’ if you don’t think you can take it, then don’t start puttin’ yerself through this hell. Just tell ’em what they wanna know from the door. You gonna be in MCU for the next two or three years. You’ll get indicted for murder. You lookin’ at a life bid. An’ remember MCU ain’t jus’ ’bout isolation. It’s ’bout keeping you off balance. The COs, dressed up in riot gear, wake you up at 1 a.m., force you to strip and make you grab all your things and move you to another cell just to harass you. They bring in dogs trained to go for your balls. You spend 24 hours alone one day in your cell and 22 the next. They put you in the MCU and wait for you to self-destruct. An’ it works. Men self-mutilate. Men get paranoid. Men have panic attacks. They start hearing voices. They talk crazy to themselves. I seen one prisoner swallow a pack of AA batteries. I seen a man shove a pencil up his dick. I seen men toss human shit around like it was a ball game. I seen men eat their own shit and rub it all over themselves like it was some kinda body lotion. Then, when you really get out of control, when you go really crazy, they got all their torture instruments ready—four- and five-point restraints, restraint hoods, restraint belts, restraint beds, stun grenades, stun guns, stun belts, spit hoods, tethers, and waist and leg chains. But the physical stuff ain’t the worst. The worst is the psychological, the humiliation, sleep deprivation, sensory disorientation, extreme light or dark, extreme cold or heat and the long weeks and months of solitary. If you don’t have a strong sense of purpose you don’t survive. They want to defeat you mentally. An’ I seen a lot of men defeated.
The various drafts of the play, made up of scenes and dialogue contributed by everyone in the class, brought to the surface the suppressed emotions and pain that the students bear with profound dignity. A prisoner who has been incarcerated for 22 years related a conversation with his wife during her final visit in 1997. Earlier his 6-year-old son had innocently revealed that the woman was seeing another man. “I am aware of what kind of time I got,” he tells his wife. “I told you when I got found guilty to move on with your life, because I knew what kind of time I was facing, but you chose to stick around. The reason I told you to move on with your life was because I didn’t want to be selfish. So look, man, do what the fuck you are going to do, just don’t keep my son from me. That’s all I ask.” He never saw his child again. When he handed me the account he said he was emotionally unable to read it out loud.
Those with life sentences wrote about dying in prison. The prisoners are painfully aware that some of them will end their lives in the medical wing without family, friends or even former cellmates. One prisoner, who wrote about how men in prolonged isolation adopt prison mice as pets, naming them, carefully bathing them, talking to them and keeping them on string leashes, worked in the prison infirmary. He said that as some prisoners were dying they would ask him to hold their hand. Often no one comes to collect the bodies. Often, family members and relatives are dead or long estranged. The corpses are taken by the guards and dumped in unmarked graves.
A discussion of Wilson’s play “Fences” became an exploration of damaged manhood and how patterns of abuse are passed down from father to son. “I spent my whole life trying not to be my father,” a prisoner who has been locked up for 23 years said. “And when I got to Trenton I was put in his old cell.”
The night we spoke about the brilliant play “Dutchman,” by LeRoi Jones, now known as Amira Baraka, the class grappled with whites’ deeply embedded stereotypes and latent fear of black men. I had also passed out copies of Robert Crumb’s savage cartoon strip “When the Niggers Take Over America!,” which portrays whites’ fear of black males—as well as the legitimate black rage that is rarely understood by white society.
The students wanted to be true to the violence and brutality of the streets and prison—places where one does not usually have the luxury of being nonviolent—yet affirm themselves as dignified and sensitive human beings. They did not want to paint everyone in the prison as innocents. But they know that transformation and redemption are real.
There are many Muslims in the prison. They have a cohesive community, sense of discipline and knowledge of their own history, which is the history of the long repression and subjugation of African-Americans. Most Muslims are very careful about their language in prison and do not curse, meaning I had to be careful when I assigned parts to the class.
There is a deep reverence in the prison for Malcolm X. When the class spoke of him one could almost feel Malcolm’s presence. Malcolm articulated, in a way Martin Luther King Jr. did not, the harsh reality of poor African-Americans trapped in the internal colonies of the urban North.
The class wanted the central oracle of the play to be an observant Muslim. Faith, when you live in the totalitarian world of the prison, is important. The conclusion of the play was the result of an intense and heated discussion about the efficacy and nature of violence and forgiveness. But by the end of a nearly hourlong discussion the class had unanimously signed off on the final scene, which I do not want to reveal here because I hope that one day it will be available to be seen or read. It was the core message the prisoners wanted most to leave with outsiders, who often view them as less than human.
The play has a visceral, raw anger and undeniable truth that only the lost and the damned can articulate. The students wrote a dedication that read: “We have been buried alive behind these walls for years, often decades. Most of the outside world has abandoned us. But a few friends and family have never forgotten that we are human beings and worthy of life. It is to them, our saints, that we dedicate this play.” And they said that if the play was ever produced, and if anyone ever bought tickets, they wanted all the money that might be earned to go to funding the educational program at the prison. This was a decision by men who make, at most, a dollar a day at prison jobs.
We read the Wilson play “Joe Turner’s Come and Gone.” The character Bynum Walker, a conjurer, tells shattered African-Americans emerging from the nightmare of slavery that they each have a song but they must seek it out. Once they find their song they will find their unity as a people, their inner freedom and their identity. The search for one’s song in Wilson’s play functions like prayer. It gives each person a purpose, strength and hope. It allows a person, even one who has been bitterly oppressed, to speak his or her truth defiantly to the world. Our song affirms us, even if we are dejected and despised, as human beings.
Prisoners are given very little time by the guards to line up in the corridor outside the classroom when the prison bell signals the end of class. If they lag behind they can get a “charge” from the guards that can restrict their already very limited privileges and freedom of movement. For this reason, my classroom emptied quickly Friday night. I was left alone in the empty space, my eyes damp, my hands trembling as I clutched their manuscript. They had all signed it for me. I made the long and lonely walk down the prison corridors, through the four metal security doors, past the security desk to the dark, frozen parking lot. I looked back, past the coils of razor wire that topped the chain-link fencing, at the shadowy bulk of the prison. I have their song. I will make it heard. I do not know what it takes to fund and mount a theater production. I intend to learn.
Stop and Kiss: NYPD Need to Chill December 10, 2013Posted by rogerhollander in Criminal Justice, Humor, New York, Racism.
Tags: abby zimet, Humor, mayor bloomberg, new york, new york police, political satire, racist policing, roger hollander, satire, stop and searh
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Roger’s note: Who says the New York City police are racist? Watch this video and see how affectionate they can be with the unpleasant minorities that clutter up their (once) lily white city.
America’s Eichmann November 22, 2013Posted by rogerhollander in Civil Liberties, Criminal Justice, Human Rights, Racism, Torture.
Tags: american gulag, american prisons, banality of evil, barry sussman, bureau of prisons, charles samuels, Criminal Justice, eichmann, godwin's law, hanna arendt, non-violent offenders, prison industrial complex, prisons, roger hollander, torture
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Roger’s note: Going back to my days protesting racism and the Vietnam War I have unapologetically used the word “fascist” or “neo-fascist” to describe aspects of the actions of the United States government. I am well aware of what the author of this article refers to as Godwin’s Law, that we dare not compare Americans to Nazis in polite company. I often try to think what it would have been like to have been an “ordinary” German citizen in the 1930s and 1940s. I imagine that one woke up in the morning, ate breakfast, sent the kids off to school, and then headed to whatever job she/he worked at. The sun came up in the morning and the moon at night. People ate, drank, partied, and, yes, they would also have discussed politics. Their discussions would have had a lot in common with how many Americans see themselves, that is, as victims. The reparations imposed by the Allies after WWI had created economic hardships that all Germans felt. That was their primary reality. Germans who were educated and who should have known better, would obviously been aware of the officially sanctioned antisemitism and other excesses of the Hitler regime. Some few would have protested and paid a price, other would have rationalized. How is this different, I ask, from American reaction the atrocities in my lifetime that have occurred as a direct or indirect result of U.S. government activity, including but not limited to Vietnam, Agent Orange, Latin American death squads, endemic racist, sexist and homophobic urban policing, the Bush/Cheney torture and rendition regime, the hundreds of thousands if not millions killed in the declared wars in Iraq and Afghanistan, and the men, women and children destroyed by American drone missiles?
This article focuses on the prison industrial complex, but I note that it fails to include a discussion of the privatization of a large segment of the prison industry, using prisoners as slave labor, and the various forms of torture including years to decades of solitary confinement.
Since this article if focused on criminal justice, it identifies only one of thousands of Eichmanns who spend your American tax dollars on destroying human life.
OpEdNews Op Eds 11/21/2013 at 19:44:02
Godwin’s Law is an assertion, widely credited to Mike Godwin of the Electronic Freedom Foundation, basically holding that a discussion essentially ends when a Nazi or Hitler analogy is raised and signals that the party making such a comparison has lost the argument. It is widely cited, particularly in the blogosphere, whenever the inevitable comparisons are made between current U.S. repressive/invasive procedures and those employed by an earlier repressive regime that according to Godwin, must remain nameless when discussing despicable state tactics.
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Godwin’s Law, credited to Mike Godwin, has diminished the discussion of parallels between current U.S. policy and Nazi Germany
Various players have different motives for promulgating Godwin’s Law. There are the victims of Nazi oppression who seek to ensure a unique place in history for themselves, and in order to do so must see that any other villainous regime is perceived to be relegated to a level no greater than penultimate evil. Then there are the regimes themselves which have a vested interest in quelling any embarrassing or unwanted comparisons. Regardless of the motivation, there seems to be little doubt that absurdities like Godwin’s Law do little to advance meaningful analysis and more likely stifle necessary and legitimate discourse.
An honest examination of the prison-industrial complex in the U.S. demands a total defenestration of Godwin’s Law and anything else interfering with the ability to compare the U.S. “justice” system with those of other similarly malevolent regimes. Those who seek to defend the status quo in the U.S. will reflexively cite the fact that Hitler, Stalin, Mao and others have killed more of their people, etc., but while true, this misses the real point and inherent maliciousness of the current situation in the U.S.
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Adolph Hitler is uniquely evil and exempt from comparison according to Godwin’s Law
Much of the damage done by the U.S. justice system is allowed to occur with little or no oversight as a result of the U.S.’s self-proclaimed role as the world’s moral arbiter. Indeed, much in the way in which Richard Nixon claimed that “when the president does it, that means it is not illegal,” it is now similarly asserted that if the U.S. does it, it must be permissible. Even the most egregious violations can be explained away by attributing their necessity to something as vague as “terrorism.” Godwin’s Law prevents the interjection of the historical fact that similar claims were made by another regime that relied upon comparable and similarly vague justifications.
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Adolph Eichmann was executed for crimes arising out of overseeing a network of prisons for the Third Reich
And so in the spirit of breaking free from the artificial constraints of Godwin, it can be straightforwardly reported that America has its own equivalent of Adolph Eichmann in the person of Charles E. Samuels, Jr., director of the federal Bureau of Prisons. There are obvious parallels between the governmental tasks performed by Eichmann and Samuels. Like Eichmann, he is responsible for the management of prisoner logistics, heading a nationwide network of gulags where enemies of the regime are dispatched for an ever-expanding variety of infractions, both real and imagined.
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Charles Samuels currently serves as the head of America’s vast network of federal gulags
Samuels, installed by President Barack Obama, is the first person of color to hold the post. This fact was widely celebrated by a fawning press following his installation but given that minorities are the largest victims of the prison-industrial complex in the U.S., placing a black man in the position was recognized by more seasoned observers as a cynical ploy to sugar-coat the face of systematically repressive mass incarceration.
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Despite promises of “hope and change,” the Department of Justice and Bureau of Prisons have only grown more repressive under the Obama regime
Samuels’ relatively unimpressive biography suggests he is merely another government functionary seeking sustenance at the public trough. There is nothing in his background which would indicate an extraordinary or unusual level of malice. In his mind he is most likely serving at his post in an unthinking and uncaring manner that is little different from the way in which millions of other government workers perform their assigned tasks. It is entirely possible that he fails to recognize the holocaust he has been entrusted to oversee and perpetuate, instead perceiving it to be nothing more than an element of a necessary state function.
Fifty years ago renowned sociologist Hanna Arendt penned her classic work, Eichmann in Jerusalem: A Report on the Banality of Evil. Arendt’s work was revolutionary in its contention that evil in individuals mainly occurs as a result of thoughtlessness. Arendt wrote it was the tendency of ordinary people to obey orders and conform to mass opinion without a critical evaluation of the consequences of their actions, even if it results in unspeakable crimes.
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Famed sociologist Hanna Arendt identified the banal nature of evil found in the likes of Eichmann and Samuels
It was the capture of Eichmann, widely considered at the time to be evil personified, and the reactions observed at his ensuing trial that caused Arendt to formulate her theory. She recognized that the evil being attributed to Eichmann was misplaced. Arendt viewed him as a mere cog in the wheel of an inherently evil system, performing his duties as would ordinarily be expected of any dutiful bureaucrat.
Performing horrific tasks in an organized and systematic way relies upon “normalization.” This is the process whereby such abominable and heinous acts become routine and are ultimately accepted as part of the process through which things are done. The process requires a division of labor in doing and rationalizing the unthinkable. The direct brutalization of people is performed by one set of individuals while others keep unrelated mechanisms of government functioning. Giving cover to the enterprise are supposed intellectuals and other pseudo experts who work through various media outlets to rationalize for the general public what would otherwise be unimaginable.
The media has certainly aided Samuels in efforts to make his endeavors palatable. Press accounts disseminated soon after his appointment credited “an interest in public service” as being what led him to take his first job as a federal prison guard. Samuels reportedly hails from a family of public servants, with a father who worked for the U.S. Postal Service and a mother who was employed by the Social Security Administration. Various media outlets reporting on Samuels’ appointment treated his position with the federal Bureau of Prisons as simply another civic minded endeavor. One article even went so far as to try and humanize his efforts by citing Samuels’ enjoyment of “chess, video games and reading books on a variety of topics.”
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Samuels rules over the largest network of prisons ever assembled
When he’s not reading or playing chess, Samuels oversees the largest network of prisons and prisoners that the world has ever seen. It is largely a retributive network in which nearly three quarters of those imprisoned are non-violent offenders with no history of violence. Mandatory sentencing, rampant federal prosecutorial misconduct and an absurd and patently illegitimate 99% conviction rate in U.S. federal courts guaranty a steady stream of prisoners for the facilities overseen by Samuels.
Many of the victims dispatched to Samuels’ custody find themselves imprisoned as a result of gross abuse of governmental power. People are targeted for prosecution for a variety of reasons, many of which bear no rational relationship to the commission of an offense. The system in which Samuels plays a key role tends to select targets for prosecution and then, after expending limitless resources, finds a suitable “crime” with which they can be charged. It operates much in the spirit of Lavrentiy Beria, head of Joseph Stalin’s secret police in the Soviet Union, who is alleged to have said, “Show me the man, and I’ll show you the crime.”
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The tactics of Lavrentiy Beria, head of Stalin’s secret police, have been embraced by the U.S. Department of Justice
The federal Bureau of Prisons, as overseen by Samuels, is viewed by many detractors as nothing more than another example of state sponsored terrorism. The bureau exists to inflict harm upon its victims and exact retribution from perceived enemies of the regime. Even the pretense of rehabilitation has long been abandoned. Recent press reports claim that there are thousands of people, convicted of non-violent offenses, who have been sentenced to die in prison. The mission of the bureau is to rigidly exact as much time as possible from each and every prisoner. Samuels has taken the task to heart, routinely denying various motions for the compassionate release of terminally ill prisoners and instructing that good time calculations be made in a fashion that cheats every federal prisoner out of seven days of freedom for each year served. Ever the loyal soldier, he holds that every discretionary situation must be resolved in accordance with the goal of ensuring that federal prisons are kept full, well above capacity.
While Arendt’s ideas on the nature of evil were generally rejected when first proposed, the success of subsequent U.S. efforts at wholesale systematic implementation of sanitized decimation through mass incarceration suggests she was years ahead of her time. A man like Samuels, despite the realities of his job description, is widely accepted as being no more villainous than any other high ranking bureaucrat. Much like his predecessor Eichmann asserted, Samuels is widely viewed as one who is doing nothing more than following orders and unquestioningly administering the will of the regime.
Eichmann’s reliance on the Nuremberg Defense in which he sought to deflect guilt by claiming he was “only following orders” was predictably unsuccessful. Despite its past failed applications, it seems inevitable that if Samuels’ day of reckoning comes where he is called to account for the crimes that occurred on his watch, he would invoke a similar defense.
Even Eichmann’s trial speech appears to have applicability to the potential jeopardy faced by Samuels.
“I cannot recognize the verdict of guilty. . . . It was my misfortune to become entangled in these atrocities. But these misdeeds did not happen according to my wishes. It was not my wish to slay people. . . . Once again I would stress that I am guilty of having been obedient, having subordinated myself to my official duties and the obligations of service and my oath of allegiance and my oath of office . . . At that time obedience was demanded, just as in the future it will also be demanded of the subordinate.”
History has demonstrated that this is a losing argument. Samuels, and others whose warped sense of duty impairs their ability to discern right from wrong, run the risk of being called to account. The tipping point is growing near as there are almost daily calls to reform the federal sentencing scheme. The bureau headed by Samuels will predictably defy such calls as bureaucracies tend to resist efforts to diminish their size and scope. Samuels’ unfettered fealty to the regime prevents him from seeing that the administration he heads is one which feeds on bodies. It can only grow by creating correspondingly greater death and misery. America, which leads all nations in number and percentage of people under lock and key, has its Eichmann.