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Gunter Grass Exposes Israel As a Nuclear Power that “Endangers” a Fragile World Peace April 9, 2012

Posted by rogerhollander in Art, Literature and Culture, Israel, Gaza & Middle East, Nuclear weapons/power.
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08Apr12

by James M. Wall, www.wallwritings.me

A stunning new poem by German novelist Gunter Grass, has “broken the silence” on Israel as a nuclear power.

Western journalists and politicians have long enforced that silence by unspoken and unwritten common agreement.

The silence was successfully imposed for two reasons: The Holocaust and the fear of being called anti-Semitic.

Gunter Grass (pictured above) has broken that silence with his poem, Was gesagt werden muss (What must be said).

Grass is a major figure in German literature. He speaks with considerable authority through his extensive and innovative writing. He is considered one of Germany’s major novelists.

The press release announcing his 1999 Nobel Prize for Literature begins:

When Günter Grass published The Tin Drum in 1959 it was as if German literature had been granted a new beginning after decades of linguistic and moral destruction.

Within the pages of this, his first novel, Grass recreated the lost world from which his creativity sprang, Danzig, his home town, as he remembered it from the years of his infancy before the catastrophe of war.

Here he comes to grips with the enormous task of reviewing contemporary history by recalling the disavowed and the forgotten: the victims, losers and lies that people wanted to forget because they had once believed in them.

In 1979, The Tin Drum reached a world audience through a film of the same title, by German Director Volker Schlöndorff. The novel, which was brilliantly reproduced in the film, was praised by the Nobel Committee because  of the way in which it:

Breaks the bounds of realism by having as its protagonist and narrator an infernal intelligence in the body of a three-year-old, a monster who overpowers the fellow human beings he approaches with the help of a toy drum.

The unforgettable Oskar Matzerath is an intellectual whose critical approach is childishness, a one-man carnival, dadaism in action in everyday German provincial life just when this small world becomes involved in the insanity of the great world surrounding it.

It is not too audacious to assume that The Tin Drum will become one of the enduring literary works of the 20th century.

Now, over a decade into the 21st century, Gunter Grass decides that Israel must be stopped from self-destruction before it is too late.

Through this deep concern, Grass wrote his poem, This Must Be Said,  breaking decades of silence. Grass, now 84, says in the poem that he wrote with his “last ink”.

The entire poem may be read, and should be read, in its entirety. Click here for an English translation, or scroll down to the Comment section for the full text of the poem.

Here, as an introduction, are the first three sections of the poem:

Why have I kept silent, silent for too long over what is openly played out in war games at the end of which we the survivors are at best footnotes.

It’s that claim of a right to first strike against those who under a loudmouth’s thumb are pushed into organized cheering— a strike to snuff out the Iranian people on suspicion that under his influence an atom bomb’s being built.

But why do I forbid myself to name that other land in which for years—although kept secret— a usable nuclear capability has grown beyond all control, because no scrutiny is allowed.  .  .  .

Later in the poem, Grass writes that the country with a nuclear arsenal that “has grown beyond all control, because no scrutiny is allowed”, is the modern state of Israel.

That lack of scrutiny of Israel’s nuclear arsenal has provided Israel with carte blanc to occupy Palestinian land, and to literally imprison the Palestinian people, all under the pretense of a need for the “security” of a nuclear armed Israel.

This same lack of scrutiny has also given Israel the freedom to function “behind the scenes” to shape the foreign policy of the West, a policy implemented by successive American governments trapped in the vise-like control of Israel’s two sacrosanct iron fists: The Holocaust and anti-Semitism.

How has Israel responded to Grass’ poem? It has followed their usual pattern, reacting with classic Israeli paranoid rhetoric.

First out of the box was Israeli Prime Minister Benjamin Netanyahu, who said Israel will not tolerate anyone with credibility and a public platform, who exposes the truth of Israel’s nuclear arsenal.

Only he does not say it that way, for that would be an admission of the unsayable, that Israel does indeed have such an arsenal.

In a statement, Israeli Prime Minister Benjamin Netanyahu condemned German Nobel laureate Gunter Grass for his “shameful moral equivalence”.

“Gunter Grass’s shameful moral equivalence between Israel and Iran, a regime that denies the Holocaust and threatens to annihilate Israel, says little about Israel and much about Mr. Grass,” Netanyahu said.

This reaction is the classic Israeli response when a cover story is exposed as false: Never deny, always attack and divert.

Netanyahu cannot deny the truth of  Grass’ poem, so he attacks the messenger, first by condemning him, and then declaring him persona non grata in Israel, a country which Grass says in his poem, is a country “to which I am and will remain attached”.

Grass also has his supporters. Jakob Augstein, a columnist for the leading German newspaper, Der Spiegel writes:

The brief lines that Günter Grass has published under the title “What Must Be Said” will one day be seen as some of his most influential words. They mark a rupture.

It is this one sentence that we will not be able to ignore in the future: “The nuclear power Israel is endangering a world peace that is already fragile.”

It is a sentence that has triggered an outcry. Because it is true. Because it is a German, an author, a Nobel laureate who said it. Because it is Günter Grass who said it.

And therein lies the breach. And, for that, one should thank Grass. He has taken it upon himself to utter this sentence for all of us.

The New York Times reported the story entirely from Israel’s perspective. In the story on the poem, the Times ignored the truthfulness of the poem and focused instead on the “controversy” it stirred up.

Why should we expect anything different? It is the Times, after all, that has been a major player in the “protect Israel’s narrative” campaign.

We have seen before how Israel manipulates any story it deems a threat.

In 2009, the Goldstone Report revealed the details of Israel’s massive slaughter of citizens in Gaza, a three week assault carried out in the name of Israeli security.

In the initial report from a UN panel chaired by Judge Richard Goldstone an eminent South African jurist experienced in tackling war crimes cases and himself an avid Jewish Zionist, concluded “that Israel had committed multiple war crimes and possible crimes against humanity during its 2008-09 invasion.”

Did Israel deny the Goldstone Report? Of course not. The evidence was too overwhelming. Rather than confront the truth of Goldstone’s findings, Judge Goldstone was hauled off to South Africa, his native land, where he held personal meetings with rabbis there.

Soon, Judge Goldstone had second thoughts. He wrote a Washington Post op ed in which he famously said

“If I had known then what I know now, the Goldstone Report would have been a different document.”

The Palestine Chronicle examines further the aftermath:

Goldstone does not with any clarity explain what he means by this sentence. Paradoxically and shamefully for the judge, the more we know about the Gaza massacre, the more accurate the Goldstone Report appears – not less.

We may never know why Goldstone changed his position – it is certainly not the result of new revelations refuting the report’s validity, irrespective of what he implied in his article.

We know that he had been the subject of an international smear campaign of unprecedented dimensions and nastiness. Maybe the pressure was simply too much for him.

But even in this case, it is hard to understand why he caved in now. In fact, attempts to discredit the Goldstone Report themselves been been discredited over the past year.

Did Goldstone succumb to pressure or threats? No one knows.

What we do know for sure is that a US diplomatic cable released by WikiLeaks has Israel’s prime minister, Binyamin Netanyahu, saying that Israel was facing “three principal threats: Iran’s nuclear [programme], missile proliferation and the Goldstone Report.”

The Goldstone Report was the 2009-10 du jour “threat to Israel”.

Today the du jour “threat to Israel” is Gunter Grass and his poem, What Must be Said.

The threat is always there to Israel.  The threat changes as Netanyahu, or whoever governs Israel at the time, sees a new threat to Israel’s long-protected narrative of why Israel is never wrong.

Any sign that anyone is breaking ranks on the silence surrounding that  narrative, which has long included  development of a nuclear arsenal in Dimona, Israel, must suffer personal attacks.

Israel is all that matters to Israel, regardless of the consequences to others. Unfortunately, thanks to AIPAC and its army of strong-armed warriors assigned to control US government officials and church leaders, the silence is rarely broken in US domestic politics.

Three US Protestant denominations, the United Methodists, Presbyterian Church, and the Episcopal Church, in that order, will hold national decision-making conferences between April 24 and mid-July.

These denominational leaders will attend to church business, budgets, reports, and honoring their retirees, that sort of thing. This year each body will also take up the matter of Israel’s treatment of the Palestinian people.

The United Methodists and Presbyterians will consider resolutions which are both the result of many years of conversation and study, and will then ask officials to agree to divesting church funds from three corporations which have refused church requests to stop providing products that enable the Occupation to continue.

The Episcopal Church is about five to eight years behind the United Methodists and Presbyterians.  All they are asking this time around is for Episcopalians to consider how Palestinians are suffering under Occupation. And of course, to celebrate the importance of Jewish/Christian relations.

Even that is too much for the Episcopalians, which seem thus far to be following the leadership of their Presiding Bishop, Katharine Jefferts Schori, who has encouraged her constituents to have conversations and break bread with their local Jewish neighbors.

What has rankled Episcopalians, however, is that in their mild resolution on Israel/Palestine, a special Episcopal version of a study book entitled Steadfast Hope, is recommended for local church study.

Steadfast Hope has something positive to say about the BDS (Boycott, Divestment, Sanctions) strategy. It does not call for adopting that strategy.  It simply suggests BDS  be studied.

For more on this discussion, see this recent posting from Wall Writings. I especially urge readers to scroll down for the follow-up comments.

I believe Gunter Grass, without knowing it, was speaking to all those gullible Protestants who still believe that the tactic of a nonviolent protest of divesting church funds from corporations that support the Occupation, is not good for Israel.

BDS (Boycott, Divestment, Sanctions) is also not a threat to the “fragile interfaith” relationship between Protestants and Jews.

Delegates to the upcoming church decision-making conferences should read Gunter Grass’ poem. He is speaking truth to you,  just as he is speaking truth to Israel.

Like Sampson of old, Israel is agitating to have the US join with it to pull down those pillars and destroy huge sections of this planet in a nuclear holocaust.

Grass chose to break his own self-imposed silence because he believes Israel needs an “intervention”, a process whereby people who truly love their spiritual homeland, will persuade Israel that it is currently embarked on a suicidal course of action, harmful to itself and to others.

An “intervention” is designed to save that which we love.  At the moment, Israel is veering dangerously close to the Sampson Option.(See Seymour Hersh’s 1991 book of that name.

Grass does not want to see a nuclear-armed Israel destroy itself and threaten  further the already “fragile” world peace.

Neither should we. A nonviolent step like BDS is the least we can do to play a role in Israel’s “intervention”.

Correction: Earlier versions of this posting described Grass as Jewish.  He is not. This error has been corrected in the version above.  I regret this error. JMW


8 Responses to “Gunter Grass Exposes Israel As a Nuclear Power that “Endangers” a Fragile World Peace”

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  1. 1Patricia Pynchon on April 8, 2012 said:

    Thanks for the information, otherwise I would not have known.Why is  Israel hiding the truth from itself?. Everyone knows they have 200 nuclear bombs, (provided by the U.S., ? ) They must realize it is no secret? Why doesn’t everyone criticise the strange point of view on Israel’s part,: that a country with no nuclear bombs is a great threat to them, when they (Israel) have hundreds of bombs, and could decimate all the Arab countries in one day? Bravo the honest and truthful thinking of Gunther Grass, who obviously faces reality.

    Israel is the terror of the Middle East, but it does not or is not able to criticise itself and think rationally.  Sad it is that our whole congress cannot think clearly either, or are they frightened of losing their pay from AIPAC?  The whole problem is clear to most of us, Israel is the real threat to the Middle East, Why can’t Israel’s policy-makers see the reality and absurdity of its own self absorption?  Why can it not see that they are a threat to its neighbors, and not vice-verse?.

  2. 2wallwritings on April 8, 2012 said:

    Following is a translation by Michael Keefer and Nica Mintz of Günter Grass’s “Was gesagt werden muss”.

    By Günter Grass

    Why have I kept silent, silent for too long over what is openly played out in war games at the end of which we the survivors are at best footnotes.

    It’s that claim of a right to first strike against those who under a loudmouth’s thumb are pushed into organized cheering— a strike to snuff out the Iranian people on suspicion that under his influence an atom bomb’s being built.

    But why do I forbid myself to name that other land in which for years—although kept secret— a usable nuclear capability has grown beyond all control, because no scrutiny is allowed.

    The universal silence around this fact, under which my own silence lay, I feel now as a heavy lie, a strong constraint, which to dismiss courts forceful punishment: the verdict of “Antisemitism” is well known.

    But now, when my own country, guilty of primal and unequalled crimes for which time and again it must be tasked— once again, in pure commerce, though with quick lips we declare it reparations, wants to send Israel yet another submarine— one whose speciality is to deliver warheads capable of ending all life where the existence of even one nuclear weapon remains unproven, but where suspicion serves for proof— now I say what must be said.

    But why was I silent for so long? Because I thought my origin, marked with an ineradicable stain, forbade mention of this fact as definite truth about Israel, a country to which I am and will remain attached.

    Why is it only now I say, in old age, with my last drop of ink, that Israel’s nuclear power endangers an already fragile world peace? Because what by tomorrow might be too late, must be spoken now, and because we—as Germans, already burdened enough—could become enablers of a crime, foreseeable and therefore not to be eradicated with any of the usual excuses.

    And admittedly: I’m silent no more because I’ve had it with the West’s hypocrisy —and one can hope that many others too may free themselves from silence, challenge the instigator of known danger to abstain from violence, and at the same time demand a permanent and unrestrained control of Israel’s atomic power and Iranian nuclear plants by an international authority accepted by both governments.

    Only thus can one give help to Israelis and Palestinians—still more, all the peoples, neighbour-enemies living in this region occupied by madness —and finally, to ourselves as well.

    “Was gesagt werden muss” published in Süddeutschen Zeitung (4 April 2012)

    Translation by Michael Keefer and Nica Mintz

  3. 3Rev. Bob Hannum on April 9, 2012 said:

    We were bouncing along in the Negev Desert in 1984 (I think several years prior to Mordechai Vanunu’s blowing the whistle on Israel’s nuclear arsenal),when the young Israeli guide pointed over to a building in the distance, surrounded by a chain link fence, and happily announced, “That’s Dimona, where Israel makes nuclear bombs.”  How many other tourists heard this announcement?  So, Vanunu was placed in solitary confinement  for 11 years and 7 more years in regular prison.  He is now out, but can’t work and can’t leave the country.  He still speaks to groups who will listen, about the situation, although he is forbidden to so so.

    We and all the nations who have these weapons have created a terribly dangerous world for our grandchildren.  Never mind Iran and North Korea.  The danger is in front of our eyes.  Time to dismantle them all!  When will our folks in Congress stop diddling around with trivia and begin to deal with the real concerns which plague us all?

  4. 4Andrea Whitmore on April 9, 2012 said:

    Gunter Grass, Rick Steves–the high-profile people who are openly rebuking Israel are increasing in number day by day, as more and more become aware of what’s really happening there. Will the United Methodist Church have the gumption to put its money where its mouth is, finally? If it does, it could change the political winds, make history, “transform the world” as it says it wants to do.

  5. 5gen katz on April 9, 2012 said:

    Write to the NYTimes and call them on it. Let them know that people are watching and want more impartial news.

  6. 6Renate Hanauer on April 9, 2012 said:

    Guenter Grass is of course right. He is, however, not a Jewish author.(Ed note: the initial posting identified Grass as a Jew. This was an error, which has been corrected.)

    There are German Jews who have been critical of Israeli policies.  There is also a small critical organization called ‘Juedische Stimme fuer gerechten Frieden in Nahost (Jewish Voice for Peace).’  Some of their members were involved of sending a boat to Gaza. The magazine Der Semit has also been very crtical of Israeli policies as well.

    Interestingly enough I found that their website has been blocked when I went to see what they have said about the Grass controiversy.  I have no idea whether this happened after the Grass poem was published on Wednesday.Of course Germany has the equivalent of the major American Jewish organizations – the Zentralrat der Judn in Deutschland – which always takes Israel’s side and is in fact a conduit for Israeli propaganda.

  7. 7William Gepford on April 9, 2012 said:

    Thank you, Jim, for another open-minded critique on who has and doesn’t have nuclear weapons. Israel’s possession of such weapons has been common knowledge for at least 20 years. Israel’s problem is a moral one. She believes that lying about the facts will save her, when in fact lying about the facts will bring her own destruction, regardless of America’s biased support. If one really loves Israel, one will love the truth, not an ideology which one has been taught to believe. Loving an ideology will only lead to destruction. The Good Book says that one should rejoice with the truth.

    Bill Gepford

Adrienne Rich: Moral compass March 30, 2012

Posted by rogerhollander in Art, Literature and Culture, Political Commentary.
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Adrienne Rich    (Credit: AP)

The late poet’s work explored everything from feminism to the Vietnam War

By Stephen Burt
This originally appeared on Critical Mass, the blog of the National Book Critics Circle Board of Directors.

Adrienne Rich was a major American poet, cultural critic, essayist and activist. Her six decades of verse and prose helped to change what was possible, both in the writing of poetry and in the work for social, economic and environmental justice that Rich herself came to see as inseparable from what she wrote. Nobody in the history of American writing had her combination of powers, and nobody gathered the same array of otherwise disparate admirers: She is both deeply, and widely, missed.

Rich’s first books, in the 1950s, established her formal skill; W. H. Auden selected her debut, “A Change of World,” for the Yale Younger Poets prize when Rich was still an undergraduate, and some of its deftly careful work remains widely taught. She came into her own, however, beginning with “Snapshots of a Daughter-in-Law” (1963), one of the first collections of poems by anyone to bring to light the contradictions, the challenges and the frustrations of life as a woman, a mother, an intellectual and an American artist in those years: Rich in that poem imagines earlier women writers, among them Emily Dickinson, “knowing themselves too well in one another:/ their gifts no pure fruition, but a thorn … iron-beaked and purposed as a bird,/ dusting everything on the whatnot every day of life.”

As the 1960s continued Rich grew more doubtful about traditions — of family life, of political belief, of literary form — and more confident that her poetry could unsettle them: Like many of her peers she reacted against war in Vietnam and racial injustice at home, and more than any of those peers she found ways of writing poetry that sounded as troubled as her country felt. She also found new forms, Americanizing the ghazal, for example, and inventing the prose poem as terse teleplay, as in “Shooting Script,” from “The Will to Change” (1970),  a set of directions to herself: “To pull yourself up by your own roots; to eat the last meal in your old neighborhood.”

Rich found new neighbors, and new directions, in the feminist movement, which recognized her as a leader, in her poems of the late 1960s and 1970s, first tormented and fierce, and then clear and confident. “Diving Into the Wreck” (1973), which won the National Book Award, remains her most famous single book, the one by which many readers discover her as a writer for whom the political had to be personal.  ”The Dream of a Common Language” (1978) made available some of the first and still some of the most admired American verse about erotic love between women, in the sequence “Twenty-One Love Poems.”  The same book contained her talismanic poem about Marie Curie, who “died denying/ her wounds came from the same source as her power.”

Rich would never deny it. Her work of those years established her as a controversial figure, attracting polemics both for and against it; it also attracted the many readers who saw her not just as a thoughtful, inventive writer but also as a beacon for political change. Those readers would stay with her to this day.

By the end of the 1970s Rich had established herself as a literary and cultural critic too, introducing Emily Dickinson (“Vesuvius at Home”) and Elizabeth Bishop (“The Eye of the Outsider”) as poets whose perspectives challenged patriarchy, and introducing (in “Compulsory Heterosexuality and Lesbian Existence,” for example) foundations for lesbian and queer cultural criticism. Her first and longest prose book, “Of Woman Born: Motherhood as Experience and Institution” (1976), defended mothers by taking apart, with perhaps unprecedented honesty, our culture’s assumptions about them; the meaning of motherhood, like the meaning of womanhood, of citizenship, of activism, of literature, could be changed, and Rich had the will to change it.

She herself, and her poems, continued to change. “Your Native Land, Your Life” (1984), “An Atlas of the Difficult World” (1991) and subsequent books introduced Rich to the retrospective sequence, the poem of family (hence of  Jewish, and of Southern) heritage, and to the sequence based on geography: “I fix on the land. I am stuck to earth,” she wrote, introducing “a map of our country,” with its “battlefield/ from a nineteenth century war,” its “sea-town of myth and story when the fishing fleets/ went bankrupt.” Rich became a poet of California, where she settled with her partner Michelle Cliff; she remained a poet of feminism, and of the struggle for lesbian, gay and queer rights, but also a poet alert to other injustice, environmental and economic, a poet who insisted that her own left politics had to proceed as an alert, untidy, unfinished and international coalition: No cause stood alone.

Neither would Rich stand alone. “In Dark Fields of the Republic” (1995) “we were trying to live a personal life … But the great dark birds of history screamed and plunged/ into our personal weather.” And in “Fox” (2001) Rich looked back on her earlier life as a poet of well-made poems, a poet of the American establishment, considering what she had learned, what she had rejected, what she still owed, from her long quiet apprenticeship: “a soul can be partitioned like a country,” she wrote; “loyalties crumbling send up sparks and smoke.”

Rich the poet who remained true to her own mixed feelings was also a poet unafraid to offer moral instruction, to proffer judgments; the poet so strongly identified with causes was also a poet who kept interrupting herself in her poems, breaking apart and questioning her own rough forms. “The School Among the Ruins” (2004) memorialized both her commitments and her self-doubt, asking what use both would have in an America (or a “USonia,” as she called it) reshaped and deformed by 9/11.

Perhaps no American poet has had at once so large and loyal an audience, and such an influence on that audience, on what her readers wrote and what they chose to do with their lives.  The number and variety of tributes to Rich already present on the Internet, by professional writers and critics, by career activists, and by many other fans, testify to  Rich’s importance for a wide range of American readers. She will be remembered for the proprieties of her earliest work, and for the wild inquiries of the latest; for her California coast, her Cambridge, her New York City, her Baltimore; for her responses to American history, to “North American Time,” and for her returns to the European thought of Mary Wollstonecraft, of Brecht and Marx; for her long declamatory lines and her harsh, short ones; for her poems modeled on biography, on archaeology, on film, on diaries, on explorers’ journals, on maps, on the long history of older short poems; for her polemics, which did change public life, and for her quarrels with herself.

life, and for her quarrels with herself.

NBCC board member Carolyn Kellogg remembers Rich in the L.A. Times: http://latimesblogs.latimes.com/jacketcopy/2012/03/adrienne-rich-in-the-la-times.html

The L.A. Times official obit is here: http://latimesblogs.latimes.com/jacketcopy/2012/03/adrienne-rich.html

NBCC Balakian winner and former board member David Orr remembers Rich for NPR: http://www.wbur.org/npr/149619634/adrienne-rich-resolution-amid-the-turbulence

Here’s the obituary for Rich from the Washington Post: http://www.washingtonpost.com/local/obituaries/adrienne-rich-feminist-poet-and-essayist-dies-at-age-82/2012/03/28/gIQABnJWhS_story.html

And from the New York Times: http://www.nytimes.com/2012/03/29/books/adrienne-rich-feminist-poet-and-author-dies-at-82.html

Here is her brief piece on poetry and politics from the Guardian (UK) in 2006: http://www.guardian.co.uk/books/2006/nov/18/featuresreviews.guardianreview15

James Cihlar in Cold Front recommends The Dream of a Common Language: http://coldfrontmag.com/features/essentials-adrienne-richs-the-dream-of-a-common-language

NBCC board member Stephen Burt reviewed Rich’s final collection of poems for the London Review of Books: http://www.lrb.co.uk/v34/n03/stephen-burt/no-scene-could-be-worse

Weston Cutter reviewed the same book, superbly, in The Rumpus: http://therumpus.net/2011/01/a-struggle-at-the-roots-of-the-mind/

Academy of American Poets on Rich, with links to poems online: http://www.poets.org/poet.php/prmPID/49

Poetry Foundation audio page for Rich: http://www.poetryfoundation.org/features/audioitem/3090

Poetry Foundation bio page for Rich, with links to poems online: http://www.poetryfoundation.org/bio/adrienne-rich

Pro-Choice ‘Doonesbury’ Too Much for Many US Papers March 12, 2012

Posted by rogerhollander in Art, Literature and Culture, Health, Media, Women.
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Roger’s note: this article contains a wonderful interview with Garry Trudeau, a most worthwhile read.  I loved his phrase: “comedy malpractice.”
Published on Monday, March 12, 2012 by Common Dreams

  – Common Dreams staff

Fans of Garry Trudeau’s ‘Doonesbury’ may have to adjust their reading habits this week as many US newspapers have decided to move the popular comic strip from its place on the comics page to the editorial section. Some papers, in fact, have decide to drop the strip entirely after they saw that this week’s arch would be grappling with a rash of new state laws across the country that will require  women seeking abortions to submit to state-run ultrasounds and other invasive procedures.

The Los Angeles Times is one of the papers that has decided to run the series, but will move it from the comic pages, where it normally appears, to their Op-Ed page. Explaining the decision, Sue Horton, the Op-Ed and Sunday Opinion editor of The Times, said, “We carry both op-eds and cartoons about controversial subjects, and this is a controversial subject.”

And The Guardian in the UK, which also runs the strip, reported today:

Doonesbury cartoonist Garry Trudeau has defended his cartoon strip about abortion, which several US newspapers are refusing to run, saying he felt compelled to respond to the way Republicans across America are undermining women’s healthcare rights.

The strip, published on Monday and scheduled to run all week, has been rejected by several papers, while others said they were switching it from the comic section to the editorial page.

In an email exchange with the Guardian, Trudeau expressed dismay over the papers’ decision but was unrepentant, describing as “appalling” and “insane” Republican state moves on women’s healthcare.

About 1,400 newspapers, including the Guardian, take the Doonesbury cartoon. The Guardian newspaper is running the cartoon as normal on Monday.

The strip deals specifically with a law introduced in Texas and other states requiring a woman who wants to have an abortion to have an ultrasound scan, or sonogram, which will show an image of the foetus and other details, in an attempt to make her reconsider.

It portrays a woman who turns up at an abortion clinic in Texas and is told to take a seat in “the shaming room”. A state legislator asks if she has been at the clinic before and, when she says she had been to get contraceptives, he replies: “Do your parents know you’re a slut?”

Later, she says she does not want an intrusive vaginal examination but is told by a nurse: “The male Republicans who run Texas require that all abortion seekers be examined with a 10-inch shaming wand.” The nurse adds: “By the authority invested in me by the GOP base, I thee rape.”

The Kansas City Star is among the papers not running the cartoon in its normal slot. “We felt the content was too much for many of the readers of our family-friendly comic page,” an editor told Associated Press. The Star will use a replacement strip offered by the organisation that syndicates Doonesbury, Universal Uclick, and move the abortion one to its editorial pages.

The cartoonist was not surprised about the controversary surrounding the new series, and defended it in several interviews by saying that the new spate of laws was shocking, deplorable, and rife with comic opportunity. “To ignore it,” Trudeau told The Washington Post, “would have been comedy malpractice.” Trudeau’s complete interview with the Posts follows:

Q: In 1985, you decided to pull a week of abortion-related strips satirizing the film “The Silent Scream,” which purported to show the reactions of a fetus. So what’s different now? What spurred you to create an abortion narrative in the current political climate?

A: In my 42 years with UPS, the “Silent Scream” week was the only series that the syndicate ever strongly objected to. [Syndicate president Lee Salem] felt that it would be deeply harmful to the feature and that we would lose clients permanently. They had supported me through so much for so long, I felt obliged to go with their call.

Such was not the case this week. There was no dispute over contents, just some discussion over whether to prepare a substitute week for editors who requested one [which we did].

I chose the topic of compulsory sonograms because it was in the news and because of its relevance to the broader battle over women’s health currently being waged in several states. For some reason, the GOP has chosen 2012 to re-litigate reproductive freedom, an issue that was resolved decades ago. Why [Rick] Santorum, [Rush] Limbaugh et al. thought this would be a good time to declare war on half the electorate, I cannot say. But to ignore it would have been comedy malpractice.

Q: After four decades, you’re an expert at knowing the hot-button satiric words and phrases — such as, in the case [this] week, terms such as “10-inch shaming wand.” Can you speak to how you approached writing these strips?

A: Oddly, for such a sensitive topic, I found it easy to write. The story is very straightforward — it’s not high-concept like [the satiric] Little Timmy in “Silent Scream” — and the only creative problem I had to work through was the physician’s perspective. I settled on resigned outrage.

Texas’s HB-15 [bill] isn’t hard to explain: The bill says that in order for a woman to obtain a perfectly legal medical procedure, she is first compelled by law to endure a vaginal probe with a hard, plastic 10-inch wand. The World Health Organization defines rape as “physically forced or otherwise coerced penetration — even if slight — of the vulva or anus, using a penis, other body parts or an object.” You tell me the difference.

Q: Going back through the history of the strip, I’m surprised not to see a previous abortion strip in “Doonesbury’s” dossier. Have you tackled abortion before?

A: No. Roe v. Wade was decided while I was still in school. Planned Parenthood was embraced by both parties. Contraception was on its way to being used by 99 percent of American women. I thought reproductive rights was a settled issue. Who knew we had turned into a nation of sluts?

Q: Over the past 40 years, “Doonesbury” helped change the comics game for many newspapers and comics creators themselves. Do you think newspaper editors have “loosened up” over time regarding comics? Or have they grown more reluctant or skittish — or, even worse, dispassionate?

A: It’s a mix, but in general I spend much less time playing defense, presumably because of the ubiquity of topical satire these days. “South Park” and “The Daily Show” have stretched the envelope so much, most editors no longer see “Doonesbury” as the rolling provocation they once did.

Plus, I think I get a bit of a pass simply because I’ve been around so long. After all this time, editors know pretty much what they’re going to get with the strip.

Woody Guthrie at 100 March 7, 2012

Posted by rogerhollander in Art, Literature and Culture.
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Published on Wednesday, March 7, 2012 by Creators.com

  by  Jim Hightower

Where’s Woody when we need him?

In these times of tinkle-down economics — with the money powers thinking that they’re the top dogs and that the rest of us are just a bunch of fire hydrants — we need for the hard-hitting (yet uplifting) musical stories, social commentaries and inspired lyrical populism of Woody Guthrie.

Woody Guthrie (1912 – 1967)

This year will mark the 100th anniversary of the birth of this legendary grassroots troubadour, who came out of the Oklahoma dust bowl to rally America’s “just plain folks” to fight back against the elites who were knocking them down.

As we know, the elites are back, strutting around cockier than ever with their knocking-down ways — but now comes the good news out of Tulsa, Okla., that Woody, too, is being revived, spiritually speaking. In a national collaboration between the Guthrie family and the George Kaiser Family Foundation, a center is being built in Tulsa to archive, present to the world and celebrate the marvelous songs, books, letters and other materials generated from Guthrie’s deeply fertile mind.

To give the center a proper kick-start, four great universities, the Grammy Museum, the Smithsonian Institution and the Kaiser Foundation are teaming up to host a combination of symposiums and concerts (think of them as Woody-Paloozas) throughout this centennial year. They begin this Saturday, March 10 at the University of Tulsa, then they move on down the road to Brooklyn College and on to the University of Southern California and Penn State University.

If Woody himself were to reappear among us, rambling from town to town, he wouldn’t need to write any new material. He’d see that the Wall Street banksters who crashed our economy are getting fat bonus checks, while the victims of their greed are still getting pink slips and eviction notices, and he could just pull out this verse from his old song, “Pretty Boy Floyd”:

Yes, as through this world I’ve wandered, I’ve seen lots of funny men. Some will rob you with a six-gun, And some with a fountain pen.

And as through your life your travel, Yes, as through your life your roam, You won’t never see an outlaw Drive a family from their home.

Also, witnessing the downsizing of America’s jobs, decimation of the middle class and stark rise in poverty, Guthrie could reprise his classic, “I Ain’t Got No Home”:

I mined in your mines, and I gathered in your corn. I been working, mister, since the day I was born. Now I worry all the time like I never did before, ‘Cause I ain’t got no home in this world anymore.
Now as I look around, it’s mighty plain to see, This world is such a great and a funny place to be. Oh, the gamblin’ man is rich, an’ the workin’ man is poor, And I ain’t got no home in this world anymore.

Guthrie unabashedly celebrated America’s working class, seeing in it the commitment to the common good that lifts America up.

He drove The Powers That Be crazy (a pretty short ride for many of them back then, just as it is today). So they branded him a unionist, socialist, communist and all sorts of other “ists” — but he withered them with humor that got people laughing at them: “I ain’t a communist necessarily, but I have been in the red all my life.”

Going down those “ribbons of highway” that he extolled in “This Land Is Your Land,” Guthrie found that the only real hope of fairness and justice was in the people themselves: “When you bum around for a year or two and look at all the folks that’s down and out, busted, disgusted (but can still be trusted), you wish that somehow or other they could … pitch in and build this country back up again.” He concluded, “There is just one way to save yourself, and that’s to get together and work and fight for everybody.”

And, indeed, that’s exactly what grassroots people are doing all across our country today. From Occupy Wall Street to the ongoing Wisconsin uprising, from battles against the Keystone XL Pipeline to the successful local and state campaigns to repeal the Supreme Court’s atrocious Citizens United edict, people are adding their own verses to Woody’s musical refrain: “I ain’t a-gonna be treated this a-way.”

Where’s Woody when we need him? He’s right there, inside each of us.

Find more information on Saturday’s Guthrie Centennial Celebration here.

© 2012 Creators Syndicate

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Jim Hightower

National radio commentator, writer, public speaker, and author of the book, Swim Against The Current: Even A Dead Fish Can Go With The Flow, Jim Hightower has spent three decades battling the Powers That Be on behalf of the Powers That Ought To Be – consumers, working families, environmentalists, small businesses, and just-plain-folks.

In Riverdale, A Happy Long Life Free of Prejudice March 1, 2012

Posted by rogerhollander in Art, Literature and Culture, LGBT, Right Wing.
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www.commondreams.org, Feb. 29, 2012

by Abby Zimet

The right-wing American Family Association’s One Million Moms is freaking out because Archie comics now has not just an openly gay character, but that character getting married to his partner. Who’s black, for Jiminy Cricket’s sake. So they want Toys ‘R Us to get rid of those nasty comics right now. But Archie Comics’ CEO says he wishes Kevin Keller and his new husband all the best, thanks.

“We stand by Life with Archie #16. As I’ve said before, Riverdale is a safe, welcoming place that does not judge anyone. It’s an idealized version of America that will hopefully become reality someday.”

Christopher Hitchens and the protocol for public figure deaths December 17, 2011

Posted by rogerhollander in Art, Literature and Culture, History, Iraq and Afghanistan, Media, Political Commentary.
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Etiquette-based prohibitions on speaking ill of the dead should apply to private individuals, not public figures

By Glenn Greenwald, www.salon.com, December 17, 2011

Christopher Hitchens

FILE – In this Sept. 14, 2005 file photo, British essayist Christopher Hitchens speaks during a debate in New York.  (AP Photo/Chad Rachman, File) (Credit: Associated Press)

One of the most intensely propagandistic weeks in the last several decades began on June 5, 2004, the day Ronald Reagan died at the age of 93 in Bel Air, California. For the next six days, his body was transported to, and his casket displayed in, multiple venues around the nation — first to a funeral home in Santa Monica; then to the Ronald Reagan Presidential Library in Simi Valley, where it remained for two full days as over 100,000 people paid their respects; then onto the U.S. Capitol, where his casket was taken by horse-drawn caisson along Constitution Avenue, and then lay in state under the dome for the next day-and-a-half; then to a state funeral at Washington’s National Cathedral presided over by President Bush and attended by dozens of past and present world leaders; and then back to the Presidential Library in California, where another service was held and his body finally interred. Few U.S. Presidents in history, if any, have received anything comparable upon their death; as CNN anchor Judy Woodruff observed the day Reagan’s body arrived in the capital: “Washington has not seen the likes of this for more than 30 years.”

Each one of those mournful events was nationally televised and drenched in somber, intense pageantry. At the center of it all was the prominently displayed grief of his second wife, Nancy, to whom he was married for 52 years. The iconic moment of the week-long national funeral occurred on the last day, at the internment, when she broke down for the first time and famously hugged and kissed her husband’s casket, while holding a folded American flag, seemingly unwilling to let him go immediately before his body was lowered into the ground.

But the most notable aspect of that intense public ritual was the full-scale canonization of this deeply controversial, divisive and consequential political figure. Americans — including millions too young to remember his presidency — were bombarded with a full week of media discussions which completely whitewashed Reagan’s actions in office: that which made him an important enough historical figure to render his death worthy of such worldwide attention in the first place. There was a virtual media prohibition on expressing a single critical utterance about what he did as President and any harm that he caused. That’s not because the elegies to Reagan were apolitical — they were aggressively political — but because nothing undercutting his deification was permitted. Typifying the unbroken,week-long media tone of reverence was this from Woodruff at the start of CNN’s broadcast on the day Reagan’s casket arrived in Washington:

We are witnessing a moment in history, a moment when this city, which is hustle-bustle personified, a city where people fiercely protect their interests and lobby for the issues that matter most to them, all that is put aside, politics is put aside, while we pay respects and deep honor to this president, who literally changed a generation, if not more, of American students of politics.

I have talked to so many young people over the last few days who came up to me and said, I started paying attention to politics because of Ronald Reagan.

Just a little while ago, I was talking with Tom DeLay, the majority leader of the House. He, I got into politics. He said, I ran to be chairman of the my precinct. He said, I was a businessman. I was running an insects — he called it a bug business. It was insect removal. And he said, Ronald Reagan inspired me to get into politics. I’d been sitting around griping, and he was the one. He gave me reason to get involved and to think that we could make a difference.”

So he changed, he inspired, and we now have a chance today and through this whole week to take note of him.

The key claim there was that “politics is put aside.” That’s precisely what did not happen. The entire spectacle was political to its core. Following Woodruff’s proclamation were funeral speeches, all broadcast by CNN, by then-House Speaker Denny Hastert and Vice President Dick Cheney hailing the former President for gifting the nation with peace and prosperity, rejuvenating national greatness, and winning the Cold War. This scene repeated itself over and over during that week: extremely politicized tributes to the greatness of Ronald Reagan continuously broadcast to the nation without challenge and endorsed by its “neutral” media — all shielded from refutation or balance by the grief of a widow and social mores that bar one from speaking ill of the dead.

That week forever changed how Ronald Reagan — and his conservative ideology — were perceived. As Gallup put it in 2004: Reagan had, at best, “routinely average ratings . . . while he served in office between 1981 and 1989.” Indeed, “the two presidents who followed Reagan, George H.W. Bush and Bill Clinton, each had higher average ratings than Reagan, as did three earlier presidents — Lyndon Johnson, John F. Kennedy, and Dwight Eisenhower.”

Though he became more popular after leaving office (like most Presidents), it was that week-long bombardment of hagiography that sealed Reagan’s status as Great and Cherished Leader. As media and political figures lavished him with politicized praise, there was virtually no mention of the brutal, civilian-extinguishing covert wars he waged in Central America, his funding of terrorists in Nicaragua, the pervasive illegality of the Iran-contra scandal perpetrated by his top aides and possibly himself, the explosion of wealth and income inequality ushered in by “Reagonmics” which persists today, his escalation of the racially disparate Drug War, his slashing of domestic programs for the poor accompanied by a deficit-causing build-up in the military budget, the racially-tinged (at least) attacks on welfare-queens-in-Cadillacs, the Savings & Loan crisis resulting from deregulation, his refusal even to acknowledge AIDS as tens of thousands of the Wrong People died, the training of Muslim radicals in Afghanistan and arming of the Iranian regime, the attempt to appoint the radical Robert Bork to the Supreme Court, or virtually anything else that would undermine the canonization. The country was drowned by a full, uninterrupted week of pure, leader-reverent propaganda.

This happened because of an unhealthy conflation of appropriate post-death etiquette for private persons and the etiquette governing deaths of public figures. They are not and should not be the same. We are all taught that it is impolite to speak ill of the dead, particularly in the immediate aftermath of someone’s death. For a private person, in a private setting, that makes perfect sense. Most human beings are complex and shaped by conflicting drives, defined by both good and bad acts. That’s more or less what it means to be human. And — when it comes to private individuals — it’s entirely appropriate to emphasize the positives of someone’s life and avoid criticisms upon their death: it comforts their grieving loved ones and honors their memory. In that context, there’s just no reason, no benefit, to highlight their flaws.

But that is completely inapplicable to the death of a public person, especially one who is political. When someone dies who is a public figure by virtue of their political acts — like Ronald Reagan — discussions of them upon death will be inherently politicized. How they are remembered is not strictly a matter of the sensitivities of their loved ones, but has substantial impact on the culture which discusses their lives. To allow significant political figures to be heralded with purely one-sided requiems — enforced by misguided (even if well-intentioned) notions of private etiquette that bar discussions of their bad acts — is not a matter of politeness; it’s deceitful and propagandistic. To exploit the sentiments of sympathy produced by death to enshrine a political figure as Great and Noble is to sanction, or at best minimize, their sins. Misapplying private death etiquette to public figures creates false history and glorifies the ignoble.

* * * * *

All of this was triggered for me by the death this week of Christopher Hitchens and the remarkably undiluted, intense praise lavished on him by media discussions. Part of this is explained by the fact that Hitchens — like other long-time media figures, such as Tim Russert — had personal interactions with huge numbers of media figures who are shaping how he is remembered in death. That’s understandable: it’s difficult for any human being to ignore personal feelings, and it’s even more difficult in the face of the tragic death of a vibrant person at a much younger age than is normal.

But for the public at large, at least those who knew of him, Hitchens was an extremely controversial, polarizing figure. And particularly over the last decade, he expressed views — not ancillary to his writing but central to them — that were nothing short of repellent.

Corey Robin wrote that “on the announcement of his death, I think it’s fair to allow Christopher Hitchens to do the things he loved to do most: speak for himself,” and then assembled two representative passages from Hitchens’ post-9/11 writings. In the first, Hitchens celebrated the ability of cluster bombs to penetrate through a Koran that a Muslim may be carrying in his coat pocket  (“those steel pellets will go straight through somebody and out the other side and through somebody else. So they won’t be able to say, ‘Ah, I was bearing a Koran over my heart and guess what, the missile stopped halfway through.’ No way, ’cause it’ll go straight through that as well. They’ll be dead, in other words”), and in the second, Hitchens explained that his reaction to the 9/11 attack was “exhilaration” because it would unleash an exciting, sustained war against what he came addictively to call “Islamofascism”: “I realized that if the battle went on until the last day of my life, I would never get bored in prosecuting it to the utmost.”

Hitchens, of course, never “prosecuted” the “exhilarating” war by actually fighting in it, but confined his “prosecution” to cheering for it and persuading others to support it. As one of Hitchens’ heroes, George Orwell, put it perfectly in Homage to Catalonia about the anti-fascist, tough-guy war writers of his time:

As late as October 1937 the New Statesman was treating us to tales of Fascist barricades made of the bodies of living children (a most unhandy thing to make barricades with), and Mr Arthur Bryant was declaring that ‘the sawing-off of a Conservative tradesman’s legs’ was ‘a commonplace’ in Loyalist Spain.

The people who write that kind of stuff never fight; possibly they believe that to write it is a substitute for fighting. It is the same in all wars; the soldiers do the fighting, the journalists do the shouting, and no true patriot ever gets near a front-line trench, except on the briefest of propaganda-tours. Sometimes it is a comfort to me to think that the aeroplane is altering the conditions of war. Perhaps when the next great war comes we may see that sight unprecedented in all history, a jingo with a bullet-hole in him.

I rarely wrote about Hitchens because, at least for the time that I’ve been writing about politics (since late 2005), there was nothing particularly notable about him. When it came to the defining issues of the post-9/11 era, he was largely indistinguishable from the small army of neoconservative fanatics eager to unleash ever-greater violence against Muslims: driven by a toxic mix of barbarism, self-loving provincialism, a sense of personal inadequacy, and, most of all, a pity-inducing need to find glory and purpose in cheering on military adventures and vanquishing some foe of historically unprecedented evil even if it meant manufacturing them. As Robin put it:

Hitchens had a reputation for being an internationalist. Yet someone who gets excited by mass murder—and then invokes that excitement, to a waiting audience, as an explanation of his support for mass murder—is not an internationalist.  He is a narcissist, the most provincial spirit of all.

Hitchens was obviously more urbane and well-written than the average neocon faux-warrior, but he was also often more vindictive and barbaric about his war cheerleading. One of the only writers with the courage to provide the full picture of Hitchens upon his death was Gawker‘s John Cook, who — in an extremely well-written and poignant obituary – detailed Hitchens’ vehement, unapologetic passion for the attack on Iraq and his dismissive indifference to the mass human suffering it caused, accompanied by petty contempt for those who objected (he denounced the Dixie Chicks as being “sluts” and “fucking fat slags” for the crime of mildly disparaging the Commander-in-Chief). As Cook put it: “it must not be forgotten in mourning him that he got the single most consequential decision in his life horrifically, petulantly wrong”; indeed: “People make mistakes. What’s horrible about Hitchens’ ardor for the invasion of Iraq is that he clung to it long after it became clear that a grotesque error had been made.”

Subordinating his brave and intellectually rigorous defense of atheism, Hitchens’ glee over violence, bloodshed, and perpetual war dominated the last decade of his life. Dennis Perrin, a friend and former protégée of Hitchens, described all the way back in 2003 how Hitchens’ virtues as a writer and thinker were fully swamped by his pulsating excitement over war and the Bush/Cheney imperial agenda:

I can barely read him anymore. His pieces in the Brit tabloid The Mirror and in Slate are a mishmash of imperial justifications and plain bombast; the old elegant style is dead. His TV appearances show a smug, nasty scold with little tolerance for those who disagree with him. He looks more and more like a Ralph Steadman sketch. And in addition to all this, he’s now revising what he said during the buildup to the Iraq war.

In several pieces, including an incredibly condescending blast against Nelson Mandela, Hitch went on and on about WMD, chided readers with “Just you wait!” and other taunts, fully confident that once the U.S. took control of Iraq, tons of bio/chem weapons and labs would be all over the cable news nets–with him dancing a victory jig in the foreground. Now he says WMD were never a real concern, and that he’d always said so. It’s amazing that he’d dare state this while his earlier pieces can be read at his website. But then, when you side with massive state power and the cynical fucks who serve it, you can say pretty much anything and the People Who Matter won’t care.

Currently, Hitch is pushing the line, in language that echoes the reactionary Paul Johnson, that the U.S. can be a “superpower for democracy,” and that Toms Jefferson [sic] and Paine would approve. He’s also slammed the “slut” Dixie Chicks as “fucking fat slags” for their rather mild critique of our Dear Leader. He favors Bush over Kerry, and doesn’t like it that Kerry ”exploits” his Vietnam combat experience (as opposed to, say, re-election campaign stunts on aircraft carriers).

Sweet Jesus. What next? I’m afraid my old mentor is not the truth-telling Orwell he fancies himself to be. He’s becoming a coarser version of Norman Podhoretz.

One of the last political essays he wrote in his life, for Slate, celebrated the virtues of Endless War.

* * * * *

Nobody should have to silently watch someone with this history be converted into some sort of universally beloved literary saint. To enshrine him as worthy of unalloyed admiration is to insist that these actions were either themselves commendable or, at worst, insignificant. Nobody who writes about politics for decades will be entirely free of serious error, but how serious the error is, whether it reflects on their character, and whether they came to regret it, are all vital parts of honestly describing and assessing their work. To demand its exclusion is an act of dishonesty.

Nor should anyone be deterred by the manipulative, somewhat tyrannical use of sympathy: designed to render any post-death criticisms gauche and forbidden. Those hailing Hitchens’ greatness are engaged in a very public, affirmative, politically consequential effort to depict him as someone worthy of homage. That’s fine: Hitchens, like most people, did have admirable traits, impressive accomplishments, genuine talents and a periodic willingness to expose himself to danger to report on issues about which he was writing. But demanding in the name of politeness or civility that none of that be balanced or refuted by other facts is to demand a monopoly on how a consequential figure is remembered, to demand a license to propagandize — exactly what was done when the awful, power-worshipping TV host, Tim Russert, died, and we were all supposed to pretend that we had lost some Great Journalist, a pretense that had the distorting effect of equating Russert’s attributes of mindless subservience to the powerful with Good Journalism (ironically, Hitchens was the last person who would honor the etiquette rules being invoked on his behalf: he savaged (perfectly appropriately) Mother Theresa and Princess Diana, among others, upon their death, even as millions mourned them).

There’s one other aspect to the adulation of Hitchens that’s quite revealing. There seems to be this sense that his excellent facility with prose excuses his sins. Part of that is the by-product of America’s refusal to come to terms with just how heinous and destructive was the attack on Iraq. That act of aggression is still viewed as a mere run-of-the-mill “mistake” — hey, we all make them, so we shouldn’t hold it against Hitch – rather than what it is: the generation’s worst political crime, one for which he remained fully unrepentant and even proud. But what these paeans to Hitchens reflect even more so is the warped values of our political and media culture: once someone is sufficiently embedded within that circle, they are intrinsically worthy of admiration and respect, no matter what it is that they actually do. As Aaron Bady put it to me by email yesterday:

I go back to something Judith Butler’s been saying for years; some lives are grievable and some are not. And in that context, publicly mourning someone like Hitchens in the way we are supposed to do — holding him up as someone who was “one of us,” even if we disagree with him — is also a way of quietly reinforcing the “we” that never seems to extend to the un-grievable Arab casualties of Hitch’s favorite wars. It’s also a “we” that has everything to do with being clever and literate and British (and nothing to do with a human universalism that stretches across the usual “us” and “them” categories). And when it is impolitic to mention that he was politically atrocious (in exactly the way of Kissinger, if not to the extent), we enshrine the same standard of human value as when the deaths of Iraqi children from cluster bombs are rendered politically meaningless by our lack of attention.

That’s precisely true. The blood on his hands — and on the hands of those who played an even greater, more direct role, in all of this totally unjustified killing of innocents — is supposed to be ignored because he was an accomplished member in good standing of our media and political class. It’s a way the political and media class protects and celebrates itself: our elite members are to be heralded and their victims forgotten. One is, of course, free to believe that. But what should not be tolerated are prohibitions on these types of discussions when highly misleading elegies are being publicly implanted, all in order to consecrate someone’s reputation for noble greatness even when their acts are squarely at odds with that effort.

Glenn Greenwald
Follow Glenn Greenwald on Twitter: @ggreenwald.More Glenn Greenwald

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  • navamskeSalon Core Member
  • Saturday, December 17, 2011 at 9:42 am

Few U.S. Presidents in history, if any, have received anything comparable upon their death; as CNN anchor Judy Woodruff observed the day Reagan’s body arrived in the capital: “Washington has not seen the likes of this for more than 30 years.”

I wonder if Woodruff thought she was commenting pithily on what might charitably be called the pageantry, because that was simply a factual statement: Prior to Reagan, the last state funeral for a president was that of Lyndon Johnson, in 1973. (Richard Nixon, who died in 1994, didn’t get a state funeral — as per his own wishes, I believe, and not because he was, you know, a crook.) LBJ’s funeral wasn’t choreographed down to the last detail as Reagan’s was — how serendipitous that the closing moments of the spectacle coincided with the setting of the sun over the 40th president’s tomb and the Pacific beyond — so perhaps Woodruff could have commented on that aspect.

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  • Clawrence3
  • Saturday, December 17, 2011 at 10:08 am

I seem to recall JFK’s funeral was fairly dramatic too.

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  • Starogo
  • Saturday, December 17, 2011 at 10:40 am

JFK was murdered while in office. Reagan died an old man well after his presidency was over. How could you even compare the two?

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  • Clawrence3
  • Saturday, December 17, 2011 at 10:54 am

To rebut the following: “Few U.S. Presidents in history, if any, have received anything comparable upon their death.”  Don’t get me wrong, as I am saying that JFK’s funeral was much more dramatic, being the first such event broadcast world-wide via live television.  As you point out, that was for an assassinated President (Lincoln’s slow train ride back to Illinois also comes to mind), but Washington’s funeral procession was just as comparable, if not more so.

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  • Idiotland
  • Saturday, December 17, 2011 at 12:26 am

Forever and always, living in a self deluded bubble.

  • navamskeSalon Core Member
  • Saturday, December 17, 2011 at 10:57 am

I seem to recall JFK’s funeral was fairly dramatic too.

Choreographed. Dramatic. Two different words, two different meanings. Capiche?

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  • Clawrence3
  • Saturday, December 17, 2011 at 11:00 am

Again, I wasn’t the one to claim: “Few U.S. Presidents in history, if any, have received anything comparable upon their death.” Perhaps your beef is with the author of those words instead of me?

  • navamskeSalon Core Member
  • Saturday, December 17, 2011 at 11:18 am

Perhaps your beef is with the author of those words instead of me?

No.

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Few doesn’t mean none, douchebag

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It will be so sad when Jimmy Carter goes.  Oh, the humanity!

  • OliverSalon Core Member
  • Saturday, December 17, 2011 at 9:44 am

I scarcely know where to begin.  So I’ll just remark that yours is among the most cogent and thoughtful columns I’ve ever read… “Cogent” because it is lens through which so much of the past decade (+) comes into focus; and “thoughtful” because it skips the reflexive in favor of the insight.

Thanks Glenn. You make a difference.

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  • Clawrence3
  • Saturday, December 17, 2011 at 10:35 am

I took my 2-year old son to Simi Valley that next day, and we waited in a huge line for a bus to take us to the Ronald Reagan Library so we could pay our respects.  Hitchens won’t get anything close to that.

  • BeleckSalon Core Member
  • Saturday, December 17, 2011 at 11:19 am

Pay your respects to Reagan?

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  • Clawrence3
  • Saturday, December 17, 2011 at 11:55 am

Yes.

In the interest of consolidating my comments into a single post, you’re welcome, Glenn. To talesofunrest: no, and I don’t hate America.

As for namvaske, do you also think that no other US President has received the following?

“For the next six days, his body was transported to, and his casket displayed in, multiple venues around the nation — first to a funeral home in Santa Monica; then to the Ronald Reagan Presidential Library in Simi Valley, where it remained for two full days as over 100,000 people paid their respects; then onto the U.S. Capitol, where his casket was taken by horse-drawn caisson along Constitution Avenue, and then lay in state under the dome for the next day-and-a-half; then to a state funeral at Washington’s National Cathedral presided over by President Bush and attended by dozens of past and present world leaders; and then back to the Presidential Library in California, where another service was held and his body finally interred.”

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  • okieprof
  • Saturday, December 17, 2011 at 12:38 am

I sent a small piece, mildly critical of Reagan to the faculty where I teach a few days after his death. It was personally polite, but critical of many of his policies. It asked where the morning was for the dead in Central America, AIDS victims, etc.

I’ve sent a lot of emails to that faculty over the years, before and since. And I’ve never had such a large and harsh response from so many so called liberals. How dare one speak ill of St. Ronnie? While I received as many responses in support, it was shocking to me just how many people buy into the notion Glenn describes.

And let’s be clear. “Speak no ill of dead Reagan” IS a covert endorsement of his politics in much the same way as “support the troops” is really just an endorsement for war. I’ll believe people are sincere in their speak no ill of the dead ethos when they apply it to bin Laden or another leader opposed to right-wing American interests (just wait until Fidel Castro, Hugo Chavez, Noam Chomsky, or Jane Fonda dies…I’m betting no such hagiographic love fest). I’ll believe they support the troops when they quit passing anti-homeless ordinances which disproportionately effect vets and when they start supporting ALL the troops, including Ehren Watada and Bradley Manning.

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  • okieprof
  • Saturday, December 17, 2011 at 1:20 pm

Ick, mourning.

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Great and thoughtful post.  Worthy of Hitchens’ own critique of Reagan and his ‘rictus of senile fury’ in his 2004 Slate piece ‘Not Even A Hedgehog’, which he later softened in February of this year with his follow-up, ‘Would America Have Been Better Off Without A Reagan Presidency?’.

Nudnik alert: shouldn’t “internment” be interment(?):

“The iconic moment of the week-long national funeral occurred on the last day, at the internment, when she broke down for the first time and famously hugged and kissed her husband’s casket, while holding a folded American flag, seemingly unwilling to let him go immediately before his body was lowered into the ground.”

Ibn al Rahman

  • PedinskaSalon Core Member
  • Saturday, December 17, 2011 at 11:59 am

Re: “internment”.

That’s what you call one of them Freudidlian slippages. ;-}

<!– –>

  • Clawrence3
  • Saturday, December 17, 2011 at 10:04 am

So we can all agree that Hitchens was a miscarriage then?

One of the clearest examples I know of for the ritual and protocol is in the reactions to the deaths of Edward Said and George Plimpton, who died on thesame day — 25 September 2003. Plimpton, a figure of little if any lasting note but threatening to none and obedient sycophant when power required, was hailed with unalloyed, glowing words across the spectrum.

Said, by contrast, was treated very cautiously, when he was treated well. Plenty — including Christopher Hitchens, who had once been a friend of Said’s — excoriated Said in vicious, often deceptive if not outright false language.

Astonishingly, something similar happened when the genuinely great political philosopher John Rawls died. Rawls was no progressive, but his theories seemed to carry pretty straightforward liberal, redistributive implications. The first New York Times obit to run described some of his views as “nonsense” (the Times’s own words). Wow. It took several days, an op-ed obit by (the now pro-torture) philosopher Martha Nussbaum to alter the tone on Rawls.

Look at the treatment of other genuine iconoclastic humanitarians and you will see no concern in the mainstream to treat them with respect in death.

Then, of course, there are the cases of people like Yasir Arafat, treatment with something approaching contempt by The New York Times and NPR. Okay. Maybe the man was ultimately contemptible. But why war criminals like Menachem Begin or Rehavam Zeevi or Ronald Reagan should be treated so gently tells us more about the toadying sycophants of mainstream media, Washington and academia than it does about those who have died.

One of the most intensely propagandistic weeks in the last several decades began on June 5, 2004, the day Ronald Reagan died at the age of 93 in Bel Air, California. For the next six days, his body was transported to, and his casket displayed in, multiple venues around the nation — first to a funeral home in Santa Monica; then to the Ronald Reagan Presidential Library in Simi Valley, where it remained for two full days as over 100,000 people paid their respects; then onto the U.S. Capitol, where his casket was taken by horse-drawn caisson along Constitution Avenue, and then lay in state under the dome for the next day-and-a-half; then to a state funeral at Washington’s National Cathedral presided over by President Bush and attended by dozens of past and present world leaders; and then back to the Presidential Library in California, where another service was held and his body finally interred. Few U.S. Presidents in history, if any, have received anything comparable upon their death; as CNN anchor Judy Woodruff observed the day Reagan’s body arrived in the capital: “Washington has not seen the likes of this for more than 30 years.”

Each one of those mournful events was nationally televised and drenched in somber, intense pageantry. At the center of it all was the prominently displayed grief of his second wife, Nancy, to whom he was married for 52 years. The iconic moment of the week-long national funeral occurred on the last day, at the internment, when she broke down for the first time and famously hugged and kissed her husband’s casket, while holding a folded American flag, seemingly unwilling to let him go immediately before his body was lowered into the ground.

But the most notable aspect of that intense public ritual was the full-scale canonization of this deeply controversial, divisive and consequential political figure. Americans — including millions too young to remember his presidency — were bombarded with a full week of media discussions which completely whitewashed Reagan’s actions in office: that which made him an important enough historical figure to render his death worthy of such worldwide attention in the first place. There was a virtual media prohibition on expressing a single critical utterance about what he did as President and any harm that he caused. That’s not because the elegies to Reagan were apolitical — they were aggressively political — but because nothing undercutting his deification was permitted. Typifying the unbroken,week-long media tone of reverence was this from Woodruff at the start of CNN’s broadcast on the day Reagan’s casket arrived in Washington:

We are witnessing a moment in history, a moment when this city, which is hustle-bustle personified, a city where people fiercely protect their interests and lobby for the issues that matter most to them, all that is put aside, politics is put aside, while we pay respects and deep honor to this president, who literally changed a generation, if not more, of American students of politics.

I have talked to so many young people over the last few days who came up to me and said, I started paying attention to politics because of Ronald Reagan.

Just a little while ago, I was talking with Tom DeLay, the majority leader of the House. He, I got into politics. He said, I ran to be chairman of the my precinct. He said, I was a businessman. I was running an insects — he called it a bug business. It was insect removal. And he said, Ronald Reagan inspired me to get into politics. I’d been sitting around griping, and he was the one. He gave me reason to get involved and to think that we could make a difference.”

So he changed, he inspired, and we now have a chance today and through this whole week to take note of him.

The key claim there was that “politics is put aside.” That’s precisely what did not happen. The entire spectacle was political to its core. Following Woodruff’s proclamation were funeral speeches, all broadcast by CNN, by then-House Speaker Denny Hastert and Vice President Dick Cheney hailing the former President for gifting the nation with peace and prosperity, rejuvenating national greatness, and winning the Cold War. This scene repeated itself over and over during that week: extremely politicized tributes to the greatness of Ronald Reagan continuously broadcast to the nation without challenge and endorsed by its “neutral” media — all shielded from refutation or balance by the grief of a widow and social mores that bar one from speaking ill of the dead.

That week forever changed how Ronald Reagan — and his conservative ideology — were perceived. As Gallup put it in 2004: Reagan had, at best, “routinely average ratings . . . while he served in office between 1981 and 1989.” Indeed, “the two presidents who followed Reagan, George H.W. Bush and Bill Clinton, each had higher average ratings than Reagan, as did three earlier presidents — Lyndon Johnson, John F. Kennedy, and Dwight Eisenhower.”

Though he became more popular after leaving office (like most Presidents), it was that week-long bombardment of hagiography that sealed Reagan’s status as Great and Cherished Leader. As media and political figures lavished him with politicized praise, there was virtually no mention of the brutal, civilian-extinguishing covert wars he waged in Central America, his funding of terrorists in Nicaragua, the pervasive illegality of the Iran-contra scandal perpetrated by his top aides and possibly himself, the explosion of wealth and income inequality ushered in by “Reagonmics” which persists today, his escalation of the racially disparate Drug War, his slashing of domestic programs for the poor accompanied by a deficit-causing build-up in the military budget, the racially-tinged (at least) attacks on welfare-queens-in-Cadillacs, the Savings & Loan crisis resulting from deregulation, his refusal even to acknowledge AIDS as tens of thousands of the Wrong People died, the training of Muslim radicals in Afghanistan and arming of the Iranian regime, the attempt to appoint the radical Robert Bork to the Supreme Court, or virtually anything else that would undermine the canonization. The country was drowned by a full, uninterrupted week of pure, leader-reverent propaganda.

This happened because of an unhealthy conflation of appropriate post-death etiquette for private persons and the etiquette governing deaths of public figures. They are not and should not be the same. We are all taught that it is impolite to speak ill of the dead, particularly in the immediate aftermath of someone’s death. For a private person, in a private setting, that makes perfect sense. Most human beings are complex and shaped by conflicting drives, defined by both good and bad acts. That’s more or less what it means to be human. And — when it comes to private individuals — it’s entirely appropriate to emphasize the positives of someone’s life and avoid criticisms upon their death: it comforts their grieving loved ones and honors their memory. In that context, there’s just no reason, no benefit, to highlight their flaws.

But that is completely inapplicable to the death of a public person, especially one who is political. When someone dies who is a public figure by virtue of their political acts — like Ronald Reagan — discussions of them upon death will be inherently politicized. How they are remembered is not strictly a matter of the sensitivities of their loved ones, but has substantial impact on the culture which discusses their lives. To allow significant political figures to be heralded with purely one-sided requiems — enforced by misguided (even if well-intentioned) notions of private etiquette that bar discussions of their bad acts — is not a matter of politeness; it’s deceitful and propagandistic. To exploit the sentiments of sympathy produced by death to enshrine a political figure as Great and Noble is to sanction, or at best minimize, their sins. Misapplying private death etiquette to public figures creates false history and glorifies the ignoble.

* * * * *

All of this was triggered for me by the death this week of Christopher Hitchens and the remarkably undiluted, intense praise lavished on him by media discussions. Part of this is explained by the fact that Hitchens — like other long-time media figures, such as Tim Russert — had personal interactions with huge numbers of media figures who are shaping how he is remembered in death. That’s understandable: it’s difficult for any human being to ignore personal feelings, and it’s even more difficult in the face of the tragic death of a vibrant person at a much younger age than is normal.

But for the public at large, at least those who knew of him, Hitchens was an extremely controversial, polarizing figure. And particularly over the last decade, he expressed views — not ancillary to his writing but central to them — that were nothing short of repellent.

Corey Robin wrote that “on the announcement of his death, I think it’s fair to allow Christopher Hitchens to do the things he loved to do most: speak for himself,” and then assembled two representative passages from Hitchens’ post-9/11 writings. In the first, Hitchens celebrated the ability of cluster bombs to penetrate through a Koran that a Muslim may be carrying in his coat pocket  (“those steel pellets will go straight through somebody and out the other side and through somebody else. So they won’t be able to say, ‘Ah, I was bearing a Koran over my heart and guess what, the missile stopped halfway through.’ No way, ’cause it’ll go straight through that as well. They’ll be dead, in other words”), and in the second, Hitchens explained that his reaction to the 9/11 attack was “exhilaration” because it would unleash an exciting, sustained war against what he came addictively to call “Islamofascism”: “I realized that if the battle went on until the last day of my life, I would never get bored in prosecuting it to the utmost.”

Hitchens, of course, never “prosecuted” the “exhilarating” war by actually fighting in it, but confined his “prosecution” to cheering for it and persuading others to support it. As one of Hitchens’ heroes, George Orwell, put it perfectly in Homage to Catalonia about the anti-fascist, tough-guy war writers of his time:

As late as October 1937 the New Statesman was treating us to tales of Fascist barricades made of the bodies of living children (a most unhandy thing to make barricades with), and Mr Arthur Bryant was declaring that ‘the sawing-off of a Conservative tradesman’s legs’ was ‘a commonplace’ in Loyalist Spain.

The people who write that kind of stuff never fight; possibly they believe that to write it is a substitute for fighting. It is the same in all wars; the soldiers do the fighting, the journalists do the shouting, and no true patriot ever gets near a front-line trench, except on the briefest of propaganda-tours. Sometimes it is a comfort to me to think that the aeroplane is altering the conditions of war. Perhaps when the next great war comes we may see that sight unprecedented in all history, a jingo with a bullet-hole in him.

I rarely wrote about Hitchens because, at least for the time that I’ve been writing about politics (since late 2005), there was nothing particularly notable about him. When it came to the defining issues of the post-9/11 era, he was largely indistinguishable from the small army of neoconservative fanatics eager to unleash ever-greater violence against Muslims: driven by a toxic mix of barbarism, self-loving provincialism, a sense of personal inadequacy, and, most of all, a pity-inducing need to find glory and purpose in cheering on military adventures and vanquishing some foe of historically unprecedented evil even if it meant manufacturing them. As Robin put it:

Hitchens had a reputation for being an internationalist. Yet someone who gets excited by mass murder—and then invokes that excitement, to a waiting audience, as an explanation of his support for mass murder—is not an internationalist.  He is a narcissist, the most provincial spirit of all.

Hitchens was obviously more urbane and well-written than the average neocon faux-warrior, but he was also often more vindictive and barbaric about his war cheerleading. One of the only writers with the courage to provide the full picture of Hitchens upon his death was Gawker‘s John Cook, who — in an extremely well-written and poignant obituary – detailed Hitchens’ vehement, unapologetic passion for the attack on Iraq and his dismissive indifference to the mass human suffering it caused, accompanied by petty contempt for those who objected (he denounced the Dixie Chicks as being “sluts” and “fucking fat slags” for the crime of mildly disparaging the Commander-in-Chief). As Cook put it: “it must not be forgotten in mourning him that he got the single most consequential decision in his life horrifically, petulantly wrong”; indeed: “People make mistakes. What’s horrible about Hitchens’ ardor for the invasion of Iraq is that he clung to it long after it became clear that a grotesque error had been made.”

Subordinating his brave and intellectually rigorous defense of atheism, Hitchens’ glee over violence, bloodshed, and perpetual war dominated the last decade of his life. Dennis Perrin, a friend and former protégée of Hitchens, described all the way back in 2003 how Hitchens’ virtues as a writer and thinker were fully swamped by his pulsating excitement over war and the Bush/Cheney imperial agenda:

I can barely read him anymore. His pieces in the Brit tabloid The Mirror and in Slate are a mishmash of imperial justifications and plain bombast; the old elegant style is dead. His TV appearances show a smug, nasty scold with little tolerance for those who disagree with him. He looks more and more like a Ralph Steadman sketch. And in addition to all this, he’s now revising what he said during the buildup to the Iraq war.

In several pieces, including an incredibly condescending blast against Nelson Mandela, Hitch went on and on about WMD, chided readers with “Just you wait!” and other taunts, fully confident that once the U.S. took control of Iraq, tons of bio/chem weapons and labs would be all over the cable news nets–with him dancing a victory jig in the foreground. Now he says WMD were never a real concern, and that he’d always said so. It’s amazing that he’d dare state this while his earlier pieces can be read at his website. But then, when you side with massive state power and the cynical fucks who serve it, you can say pretty much anything and the People Who Matter won’t care.

Currently, Hitch is pushing the line, in language that echoes the reactionary Paul Johnson, that the U.S. can be a “superpower for democracy,” and that Toms Jefferson [sic] and Paine would approve. He’s also slammed the “slut” Dixie Chicks as “fucking fat slags” for their rather mild critique of our Dear Leader. He favors Bush over Kerry, and doesn’t like it that Kerry ”exploits” his Vietnam combat experience (as opposed to, say, re-election campaign stunts on aircraft carriers).

Sweet Jesus. What next? I’m afraid my old mentor is not the truth-telling Orwell he fancies himself to be. He’s becoming a coarser version of Norman Podhoretz.

One of the last political essays he wrote in his life, for Slate, celebrated the virtues of Endless War.

* * * * *

Nobody should have to silently watch someone with this history be converted into some sort of universally beloved literary saint. To enshrine him as worthy of unalloyed admiration is to insist that these actions were either themselves commendable or, at worst, insignificant. Nobody who writes about politics for decades will be entirely free of serious error, but how serious the error is, whether it reflects on their character, and whether they came to regret it, are all vital parts of honestly describing and assessing their work. To demand its exclusion is an act of dishonesty.

Nor should anyone be deterred by the manipulative, somewhat tyrannical use of sympathy: designed to render any post-death criticisms gauche and forbidden. Those hailing Hitchens’ greatness are engaged in a very public, affirmative, politically consequential effort to depict him as someone worthy of homage. That’s fine: Hitchens, like most people, did have admirable traits, impressive accomplishments, genuine talents and a periodic willingness to expose himself to danger to report on issues about which he was writing. But demanding in the name of politeness or civility that none of that be balanced or refuted by other facts is to demand a monopoly on how a consequential figure is remembered, to demand a license to propagandize — exactly what was done when the awful, power-worshipping TV host, Tim Russert, died, and we were all supposed to pretend that we had lost some Great Journalist, a pretense that had the distorting effect of equating Russert’s attributes of mindless subservience to the powerful with Good Journalism (ironically, Hitchens was the last person who would honor the etiquette rules being invoked on his behalf: he savaged (perfectly appropriately) Mother Theresa and Princess Diana, among others, upon their death, even as millions mourned them).

There’s one other aspect to the adulation of Hitchens that’s quite revealing. There seems to be this sense that his excellent facility with prose excuses his sins. Part of that is the by-product of America’s refusal to come to terms with just how heinous and destructive was the attack on Iraq. That act of aggression is still viewed as a mere run-of-the-mill “mistake” — hey, we all make them, so we shouldn’t hold it against Hitch – rather than what it is: the generation’s worst political crime, one for which he remained fully unrepentant and even proud. But what these paeans to Hitchens reflect even more so is the warped values of our political and media culture: once someone is sufficiently embedded within that circle, they are intrinsically worthy of admiration and respect, no matter what it is that they actually do. As Aaron Bady put it to me by email yesterday:

I go back to something Judith Butler’s been saying for years; some lives are grievable and some are not. And in that context, publicly mourning someone like Hitchens in the way we are supposed to do — holding him up as someone who was “one of us,” even if we disagree with him — is also a way of quietly reinforcing the “we” that never seems to extend to the un-grievable Arab casualties of Hitch’s favorite wars. It’s also a “we” that has everything to do with being clever and literate and British (and nothing to do with a human universalism that stretches across the usual “us” and “them” categories). And when it is impolitic to mention that he was politically atrocious (in exactly the way of Kissinger, if not to the extent), we enshrine the same standard of human value as when the deaths of Iraqi children from cluster bombs are rendered politically meaningless by our lack of attention.

That’s precisely true. The blood on his hands — and on the hands of those who played an even greater, more direct role, in all of this totally unjustified killing of innocents — is supposed to be ignored because he was an accomplished member in good standing of our media and political class. It’s a way the political and media class protects and celebrates itself: our elite members are to be heralded and their victims forgotten. One is, of course, free to believe that. But what should not be tolerated are prohibitions on these types of discussions when highly misleading elegies are being publicly implanted, all in order to consecrate someone’s reputation for noble greatness even when their acts are squarely at odds with that effort.

Glenn Greenwald
Follow Glenn Greenwald on Twitter: @ggreenwald.More Glenn Greenwald

Buffy Sainte-Marie: No No Keshagesh November 23, 2011

Posted by rogerhollander in Art, Literature and Culture, Economic Crisis, Environment, First Nations, War.
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Published on Wednesday, November 23, 2011 by CommonDreams.org

No No Keshagesh

Keshagesh means Greedy Guts. It’s what you call a little puppy who eats his own and then wants everybody else’s.

*  *  *  *  *

I never saw so many business suits Never knew a dollar sign could look so cute Never knew a junkie with a money jones Who’s buying Park Place? Who’s buying Boardwalk?

These old men they make their dirty deals Go in the back room and see what they can steal Talk about your beautiful for spacious skies It’s about uranium. It’s about the water rights

Got Mother Nature on a luncheon plate They carve her up and call it real estate Want all the resources and all of the land They make a war over it; they blow things up for it

The reservation out at Poverty Row The cookin’s cookin and the lights are low Somebody tryin to save our Mother Earth I’m gonna Help em to Save it and Sing it and Pray it singin

No No Keshagesh you can’t do that no more.

Ol Columbus he was lookin good When he got lost in our neighborhood Garden of Eden right before his eyes Now it’s all spyware Now it’s all income tax

Ol Brother Midas lookin hungry today What he can’t buy he’ll get some other way Send in the troopers if the Natives resist Same old story, boys; that’s how ya do it , boys

Look at these people Lord they’re on a roll Got to have it all; gotta have complete control Want all the resources and all of the land They break the law over it; blow things up for it

While all our champions are off in the war Their final rippoff here at home is on Mister Greed I think your time has come I’m gonna Sing it and Say it and Live it and Pray it singin

No No Keshagesh you can’t do that no more.

TO VIEW THE VIDEO:

http://www.youtube.com/watch?v=4vGoAI5bb1g&ob=av3n

Buffy Sainte-Marie

Buffy Sainte-Marie is a Canadian Cree singer-songwriter, musician, composer, visual artist, educator, pacifist, and social activist. By age 24, Buffy Sainte-Marie had appeared all over Europe, Canada, Australia and Asia, receiving honors, medals and awards, which continue to this day. Her song Until It’s Time for You to Go was recorded by Elvis and Barbra and Cher, and her 1964 Universal Soldier became the anthem of the peace movement, despite the fact it was pretty much banned on US radio. For her very first album she was voted Billboard’s Best New Artist. Buffy won an Academy Award Oscar and a Golden Globe Award for the song Up Where We Belong.

Occupy Writers: I Am Large, I Contain Multitudes October 21, 2011

Posted by rogerhollander in Art, Literature and Culture, Economic Crisis, Media.
Tags: , , , , , , , , , ,
1 comment so far
10.20.11 – 12:27 PM

by Abby Zimet

 

A contribution from Occupywriters.com

Over 1,200 authors have joined Occupy Writers in support of protesters, with another 1,000 waiting to get vetted. The latest is Lemony Snicket, citing his grievances in his own clear-eyed, adult/child way. Likewise, nice video of protesters explaining why they’re there to kids. Show it to yours.

Thirteen Observations made by Lemony Snicket while watching Occupy Wall Street from a Discreet Distance 

1. If you work hard, and become successful, it does not necessarily mean you are successful because you worked hard, just as if you are tall with long hair it doesn’t mean you would be a midget if you were bald.

2. “Fortune” is a word for having a lot of money and for having a lot of luck, but that does not mean the word has two definitions.

3. Money is like a child—rarely unaccompanied. When it disappears, look to those who were supposed to be keeping an eye on it while you were at the grocery store. You might also look for someone who has a lot of extra children sitting around, with long, suspicious explanations for how they got there.

4. People who say money doesn’t matter are like people who say cake doesn’t matter—it’s probably because they’ve already had a few slices.

5. There may not be a reason to share your cake. It is, after all, yours. You probably baked it yourself, in an oven of your own construction with ingredients you harvested yourself. It may be possible to keep your entire cake while explaining to any nearby hungry people just how reasonable you are.

6. Nobody wants to fall into a safety net, because it means the structure in which they’ve been living is in a state of collapse and they have no choice but to tumble downwards. However, it beats the alternative.

7. Someone feeling wronged is like someone feeling thirsty. Don’t tell them they aren’t. Sit with them and have a drink.

8. Don’t ask yourself if something is fair. Ask someone else—a stranger in the street, for example.

9. People gathering in the streets feeling wronged tend to be loud, as it is difficult to make oneself heard on the other side of an impressive edifice.

10. It is not always the job of people shouting outside impressive buildings to solve problems. It is often the job of the people inside, who have paper, pens, desks, and an impressive view.

11. Historically, a story about people inside impressive buildings ignoring or even taunting people standing outside shouting at them turns out to be a story with an unhappy ending.

12. If you have a large crowd shouting outside your building, there might not be room for a safety net if you’re the one tumbling down when it collapses.

13. 99 percent is a very large percentage. For instance, easily 99 percent of people want a roof over their heads, food on their tables, and the occasional slice of cake for dessert. Surely an arrangement can be made with that niggling 1 percent who disagree.

Gertrude Stein’s “Missing” Vichy Years October 2, 2011

Posted by rogerhollander in Art, Literature and Culture, History.
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Sunday 2 October 2011
by: Mark Karlin, Truthout         | Historical Analysis

 

If you want to discover the real Gertrude Stein, two art exhibitions now making their way to Washington DC and Paris gloss over some shocking historic evidence.

Gertrude Stein was a complex, iconic, artistic figure: an experimental writer, an intellectual salon hostess, a collector and nurturer of modern artists, an openly gay woman who admired authoritarian men. Her contradictions abounded and so did contradictions in many of her political statements. But there is no disputing that she chose to stay in France during WW II at a steep price to her historical legacy.

The smoking gun of Stein’s ignominious behavior during WW II lies “in a few yellowing notebooks tucked away in the Beinecke Rare Book and Manuscript Library at Yale University,” according to Dartmouth Professor Barbara Will. In her new book, “Unlikely Collaboration: Gertrude Stein, Bernard Faÿ and the Vichy Dilemma,” Will details that on these aging pages are Stein’s translation of 32 speeches by Marshal Philippe Pétain.

Pétain was not a literary figure, but a WW I hero and general who was the head of the collaborationist Vichy regime – a puppet government of the Nazis. These speech translations in Stein’s own handwriting, according to Will, included those “that announced Vichy policy barring Jews and other ‘foreign elements’ from positions of power in the public sphere and those that called for a ‘hopeful’ reconciliation with Nazi forces.” Stein also promoted Pétain as the George Washington of France.

Stein and her famous partner, Alice B. Toklas, chose to stay in the southeast of the so-called Vichy “Free Zone” during WW II, instead of returning to certain safety in the US. Yet, despite being Jewish lesbian Americans, they – and Stein’s priceless modern art collection – survived the war without major incident.

It is the contention of Professor Will and many others that Stein was protected by a noted French academic and anti-Semite, Bernard Faÿ, who was a key adviser to Pétain. According to Will, Faÿ was a Gestapo agent. Faÿ, who was imprisoned after the war as a collaborator – despite a plea from Stein on his behalf – wrote a memoir in the ’60s in which he claims that he convinced Pétain to ensure that Stein and Toklas not only were left unharmed, but were provided with necessary comforts by the local police:

Before the meeting ended the Maréchal dictated a letter to the sous-prefect at Belley, entrusting Gertrude Stein and Alice Toklas to his care and directing him to see to it that they had everything needed to keep warm during the winter, as well as ration coupons for meat and butter. I came to Vichy quite regularly and I telephoned the sous-prefect to remind him of his instructions. During this horrible period of occupation, misery and nascent civil war, my two friends lived a peaceful life, They didn’t lack courage, they didn’t lack intelligence, they didn’t lack a sense of reality and they didn’t lack coal.

Faÿ, who was also gay, was enamored of Stein’s intellect and creativity and thought of her as someone who “rose above” being a Jew. Stein, indeed – although her Jewish identity is complex – generally did not identify herself as Jewish and thought of many “types” of Jews with disdain.

Both Stein and Faÿ were on the right flank in the cauldron of European politics in the ’30s. Both associated many European Jews with communism, which they dreaded. Both adored Pétain as a figure who would re-establish a French state based on “traditional values.” In a break with many of the modern artists and literary figures of her time, Stein supported Franco over the Spanish Progressive Front. Franco won, with the help of Mussolini and Hitler, becoming a dictator for decades.

Stein also detested Franklin Delano Roosevelt and the New Deal, scathingly attacking them at times. She vilified the notion of a “welfare state” and the concept of the government under FDR intervening as a public “organization,” according to Professor Will.

After the German military invaded the Vichy “Free Zone” in late 1942, Stein and Toklas still remained undeported and untouched. Professor Charles Robertson of Smith College informed BuzzFlash at Truthout that Stein and Toklas “still moved about freely.” In fact, even though the Vichy government organized a national registry of Jews at the request of the Nazis, the names of Gertrude Stein and Alice B. Toklas did not appear on that list.

As Professor Robertson added, “Incidentally, so far as Jews were concerned, officially, their nationality didn’t matter: they were Jews first.” It is true that France had the highest percentage of Jews who survived the Holocaust and that the “Free Zone” was slower in sending Jews to concentration camps (the Vichy police generally rounded up the Jews for the Germans). But the threat was palpable. Professor Will notes that in April of 1944 – just 30 miles from where Stein lived – 44 Jewish children were “seized and deported to Auschwitz.” All of them were murdered.

New Yorker writer Janet Malcolm, who disclosed Stein’s relationship to Faÿ in her 2007 book “Two Lives,” perhaps understated the case when she concluded that Stein “did not behave well in World War II.”

“The full story of the relationship of modernist writers to fascist and pro-fascist regimes is just beginning to be told and Stein offers a fascinating case study of this relationship,” Professor Will stated to BuzzFlash at Truthout. “It is hard to get at the complexities and dilemmas of this modernism/fascism nexus if we only see a sanitized ‘Saint Gertrude’ image of Stein. She was a complex, layered, in some ways heroic, but in some ways despicable individual. The fact that her writing is so obscure has allowed people to say almost anything about her and up to this point the discussion around her has been mostly hagiographic. Looking at the facts of her life, her politics, even her aesthetic principles (which are more conservative than you would think) allows for a much fuller and more realistic picture of Gertrude Stein to emerge.”

Two recent exhibitions involving Stein in San Francisco raise the question that Professor Will asks about historic accountability when it comes to artists and revered literary figures. Should how one lives one’s life as an artist or literary figure become a vital part of an art exhibit? Does the “industry” of promoting certain “hallowed” figures as branded artistic figures need to be balanced by vigilant historical accuracy and debate?

The San Francisco Museum of Modern Art (SFMOMA) just finished an exhibition of the modern art collected by the Bay Area-based Stein family. The works of art purchased by and given as gifts to Gertrude Stein were prominent in the show. The exhibition drew blockbuster crowds and it will go on to the Grand Palais in Paris and then to the Metropolitan Museum of Art in New York.

Almost concurrently with SFMOMA, the San Francisco Contemporary Jewish Museum ran an homage to Stein, which made it what some fans called a “Stein summer” in San Francisco.

The Contemporary Jewish Museum exhibition was divided into five “stories” about Stein. As described on the museum’s web site, “Through a portrayal of Stein’s contributions in her writings, patronage and lifestyle, the exhibition provides an intimate look at Stein’s complex relationship to her identity, culture and history.” This exhibit is now on its way to the National Portrait Gallery, part of the Smithsonian Museum.

Given the history of Stein’s World War II years, the protection of her art collection from the Nazis by collaborationists, her entirely conflicted identity as a Jew – that leaned sometimes into a gray zone of remarks and thoughts that could be construed as anti-Semitic – her promotion of the Vichy leader whose promulgation of anti-Jewish regulations she translated, her fascist leanings – all of these and more which came to a crux during her WW II life in southern France – it is a bit astonishing that neither museum elaborated on any of this in their exhibits.

The SFMOMA had less explaining to do because they were focusing on the Stein family collections, of which Gertrude Stein’s paintings are a major part. But, still, one wonders how the exhibition can offer background on the Stein family and ignore Gertrude Stein’s complexities and the reason that her collection was not seized by the Nazis.

In fact, in one account, from Professor Will’s book, the Nazis were on the verge of looting Stein’s irreplaceable paintings by the great modernists – left behind in Paris – but Faÿ intervened and the Germans backed off. (The Germans considered modern art to be degenerate, but knew the value of many of the paintings and sold them off for cash in Switzerland, among other places.)

BuzzFlash at Truthout writer Bill Berkowitz attended the SFMOMA Stein exhibit and was astonished about how the museum dealt with the missing war years: “There was a discussion of the years leading up to and including World War II. Buried in that particular narrative was a statement that Stein had spent the war years in southern France. As I left the museum, I turned toward my friend and asked him if he had noticed that sentence. He had. It was, after all quite remarkable.”

The SFMOMA’s press office responded to Buzzflash at Truthout’s inquiry about the historical omission, by saying: “Among the many fascinating aspects of the Stein story, the museum hasn’t seen this particular topic as especially germane to our project, which looks at what the family collected and why, their taste in art, their relationship with the artists and the impact of that support. If Gertrude’s collection had been confiscated during World War II, I am sure our exhibition would have addressed it.”

The Contemporary Jewish Museum, however – due to its mission and the nature of the focus on Stein’s life – was much more glaring in its omissions. The first question, of course, is why is a Jewish museum honoring someone who had very mixed feelings about being Jewish – and about Jews – without openly discussing these complexities in the exhibit?

The second question for the Contemporary Jewish Museum is how could it promote Stein as its featured exhibit at the same time that it was holding a showing of the art work of Charlotte Salomon? Salomon, according to the Contemporary Jewish Museum, was “a young Jewish artist from Berlin, [who] worked feverishly between 1940 and 1942 to produce approximately 1300 paintings before she was arrested by the Nazis in 1943, transported to Auschwitz and killed at the age of 26.” She was five months pregnant when she was gassed, after being captured in, ironically, southern France.

Sonia Melnikova-Raich, who emigrated from the Soviet Union 25 years ago, felt that this type of historical “cleansing” of anything that would do damage to the favorable image of Gertrude Stein was similar to what she had seen done to some Soviet “heroes” and official cult figures. In an article for the Bay Area Jewish weekly, Melnikova-Raich charges that “the current exhibit at the Contemporary Jewish Museum ‘Seeing Gertrude Stein: Five Stories’ noticeably lacks a sixth story.”

Indeed, the museum only provides a short romanticized mention of Faÿ’s relationship to Stein in the exhibit and a few vague sentences about the World War II existence of Stein and Toklas. (The museum wall text does interestingly note, “German soldiers were billeted twice to their home in the village.” The museum’s news release about the exhibit can be read by clicking here.)

The Contemporary Jewish Museum’s Executive Director, Connie Wolf, issued a response to the exhibit’s absence of an elaboration on Faÿ and the war years that included referring museum goers to the exhibit’s companion book available for purchase. BuzzFlash at Truthout also received a polite response from Associate Curator and art historian Tirza Latimer, who explained that the reason more of this topic wasn’t discussed was that it was a visual exhibit. She also indicated that she had invited Professor Will to participate on a panel when the exhibit moves to the Smithsonian. The “lead” guest curator Dara Solomon responded: “I want to reiterate that the museum did not overlook the complex issue of Gertrude Stein’s Jewish identity.”

Stein, like many artists and celebrities, has become a thriving artistic “brand.”

Artistic pilgrimages such as the two San Francisco Stein exhibits bring extensive foundation support, large crowds that pay healthy admission fees and booming gift shop sales.

But trying to achieve historical transparency and context is not about increasing attendance at exhibitions and selling products; it is about seeking to arrive at some semblance of the truth. Writers and artists are not exempt from that scrutiny.

Primary research for this article was conducted by Sari Gelzer, senior editor at Truthout.

Vonnegut On War: Give Me Knowledge August 10, 2011

Posted by rogerhollander in Art, Literature and Culture, History, War.
Tags: , , , , , , , , , , , ,
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08.09.11 – 12:05 PM, www.commondreams.org

 

Roger’s note: This photo depicts some of the damage resulting from the WWII Allied bombing of Dresden, a city with no military strategic value whatsoever.  The fire-bombing of Dresden (which sort of prefigures the napalming of Vietnam) was promoted I believe by that great humanitarian Winston Churchill, as a way of punishing the German people for “allowing” the Nazi takeover of their country.  As an aside, in a rare show of heart, Obama got rid of a statue of Churchill from the Oval Office because of torture of the president’s grandfather in Kenya under Churchill’s rule.  Kurt Vonnegut had been captured by the Germans and was a prisoner of war in Dresden, where he survived the fire-bombing, which destroyed the city and killed thousands of civilians, in a shelter.  His acclaimed novel, ”Slaughterhouse Five,” was inspired by this experience. 

 

by Abby Zimet

A nicely Tralfamadorian response to a decision by the Republic, Mo. school board to ban Slaughterhouse-Five,” Kurt Vonnegut’s trippy anti-war classic about the fire-bombing of Dresden, from its high school: the Vonnegut Memorial Library will offer a free copy to 150 students. The book was deliberately “jumbled and jangled,” he once said, “because there is nothing intelligent to say about a massacre.

“All these people talk so eloquently about getting back to good old-fashioned values… and I say let’s get back to the good old-fashioned First Amendment of the good old-fashioned Constitution of the United States.”

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